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US Release - August 6, 2013

US Release – August 6, 2013. Notify Me

After reading Music Hiding in the Air, I was speechless. 

I knew of Rory McEwen and his work before reading the memoir written by his niece Christian McEwen. However Rory was simply a name on the timeline of botanical art history I try to organize in my head; his paintings, work to admire and study in books such as Wilfrid Blunt’s The Art of Botanical Illustration: An Illustrated History.

When I put the book down, I couldn’t think beyond what I had just read. I realized I was no longer looking at a timeline with Rory McEwen’s name on it. I stopped being an outside observer because Christian brought me into the timeline of her uncle’s life and allowed me to experience some of it with her.

Christian McEwen’s recollection of her relationship with her uncle is extremely moving and we are fortunate she has chosen to share this relationship with us.

Christian writes about her uncle’s privileged upbringing, his love of music and art, and his hunger for solitude and world travel. She shares personal letters and writes about the impression Rory McEwen made upon her life before his death in 1982 at the age of 50.

Music Hiding in the Air is not a new book. It appeared online ten years ago on a website called Archipelago. It was transformed into book form by Bauhan Publishing because of the exhibition Rory McEwen, The Colours of Reality now at the Royal Botanic Gardens, Kew (May 11 – September 22, 2013). Christian wrote her memoir in the late 1990s while living in the United States. She says she wrote the memoir because at the time she “was hungry for my people and Scotland. Writing about Rory enabled me to connect with Scotland.” 

Christian wrote about her uncle to ground herself in her own family story. When she wrote her book, Rory McEwen was an unknown artist partly because he sold his work to private collections. People eventually began to learn about him, however, and Dr. Shirley Sherwood was among those collecting Rory’s work. Now 15 years later, Rory McEwen is receiving recognition that is long overdue. Christian says Rory is “being resurrected” by the event at Kew.

Credited with revolutionizing botanical art, Rory painted images of plants with incredible detail. He painted on vellum and used a heart surgeon’s magnifying glass to look at flowers closely. Christian says that poet Alastair Reid once told her Rory worked with a kind of pulley system that allowed him to hover his hand over the vellum so he wouldn’t smudge it.

How many hours did Rory spend in his studio? Christian isn’t sure. She remembers visiting his studio when she was a teenager, and says Rory could be a very solitary person, and also very gregarious. Somehow he managed to balance family time with long hours alone, painting.

When asked to identify who she would like to read her book, Christian replied:

Those in the immediate family who have been born or have grown up since Rory died.

Botanical artists at all levels of expertise.

The people of Scotland, who up till now may have known him only as a musician. They will rediscover him as a Renaissance man, a poet and an artist, a true cosmopolitan.

Fellow artists and admirers in the United States.

Christian went on to say that many people have connected with her book. Since publishing her memoir online, Christian says strangers have written to her saying they were moved by Rory’s story. His story – a human story – is a good story all by itself.

Whomever reads her book, Christian wants people to understand one thing about her uncle. She wants them to see he understood the true power of the Latin phrase, carpe diem (“seize the day”). She wants people to be inspired by Rory’s story, his art and “the power of life lived in the service of one’s art. Of one’s heart.”



About Christian McEwen

Christian McEwen is a writer, teacher and workshop leader. She came to the University of California at Berkeley on a Fulbright Scholarship, and has lived most of her adult life in the United States. She returns to Scotland to teach each summer. This year, she will be teaching on the Scottish Island of Tanera Mor with the textile artist, Jan Kilpatrick.

Later this year, Christian will teach The Art of Letter Writing: Voice, Calligraphy & Spirit with calligrapher, illustrator and author, Barbara Bash. This September workshop will be taught at Sky Lake Lodge in Rosendale, NY. Learn More

Buy online and at ArtPlantae at Aurea Vista.

Buy online and at ArtPlantae at Aurea Vista.

It is one thing to research ways to connect botanical art with learning in the classroom and quite another to figure out how to make time to apply the wonderful ideas you’ve learned. Between work, family, volunteering and other responsibilities, how do you find time in your schedule to read a book, much less time to draw, paint and engage in other creative activities?

If something inside your body has been telling you to slow down and if you know you’ve been silencing your creativity and ignoring the call of your Creative Self, then now is the time to read World Enough & Time: On Creativity and Slowing Down by Christian McEwen.

When Christian talks about slowing down, she doesn’t mean simply removing one or two items from your list of To Do items. What she means is to slow down by physically moving more slowly. By walking instead of running. By writing with pencil and paper instead of typing. By doing whatever it takes to stop subjecting your body to “hurry sickness” (McEwen, 2011).

Christian encourages the tired and the overwhelmed to make time to converse with people in person. To figure out how to do nothing. To spend time with a child. To go for a walk. To learn how to look. Read a book. Keep a journal. Stop multitasking. Take a break. Dream. Learn to listen. Be grateful.

While all of this sounds simple enough to do, there is a reason why these simple acts are the focus of a 367-page book. Our culture has either forgotten how to do them or they have been deemed too time-intensive and impractical for daily life. Yes, a bit of planning and motivation might be necessary to engage in some of these activities, but not much. In World Enough & Time, Christian explains why these activities are important, shares with you interesting history, research and stories, and provides you with tactics to make the changes to your busy life that you probably already know are way overdue.

Value “slowness”. Create an “affluence of time” (McEwen, 2011).

Add World Enough & Time: On Creativity & Slowing Down to your summer reading list.


Literature Cited

McEwen, Christian. 2011. World Enough & Time: On Creativity and Slowing Down. Peterborough: Bauhan Publishing.



Related Topic

I hope you are enjoying the conversation with Katie Zimmerman. I asked Katie if she was going to write a book based on her years of research.

She replied:

I’m in the final stages of writing up my dissertation, and all along I’ve been writing with the book in mind. There are a few books out there already, but they have all treated North as an anomaly in the “intrepid spinster” vein. I don’t want to downplay North’s extraordinary achievements and personality, but to really understand her work and its value beyond its eccentricity, we need a more complete narrative. North’s individualized vision and visualizations, however idiosyncratic, were…

Read More

exhibitPostcard_NESBA_2013
From the Mountains to the Sea: Plants, Trees and Shrubs of New England

The first exhibition of the New England Society of Botanical Artists (NESBA) opens on Sunday, May 19, at The Art Complex Museum in Duxbury, MA, the first stop on its six-venue journey around New England. The exhibition will feature 60 portraits of native New England plants. Each venue will also feature the drawings and paintings by NESBA members in that state.

The touring schedule for From the Mountains to the Sea includes:

Learn more about the New England Society of Botanical Artists on their website. Follow them on Twitter (@NESBAArtists), Like them on Facebook.

When viewing North’s paintings, are there any trends that can be observed? For example, did she paint plant “portraits” more often than landscapes? Did her style of painting change during 14 years of traveling? Etc.

I would say North’s motivations for traveling and painting changed more than her style ever did. Her choice of specimens, indeed her choice of destination, became much more pointed towards the end of her career and especially after Sir Joseph accepted North’s offer to build a gallery at Kew. Once North knew her work would be on permanent display…

Continue…

exhibit_ASBAReedTurner_May2013


8th Annual Botanical Art Show and Sale at Reed-Turner Nature Center

Long Grove, IL
May 18-19, 2013
9 AM – 3 PM

The Reed-Turner Woodland Botanical Artists’ Circle consists of botanical artists who are current or former students of the botanical art program at the Chicago Botanic Garden. This group is an Artists’ Circle of the American Society of Botanical Artists.

Learn more about the Reed-Turner Woodlands

classes_CarolWoodin Carol Woodin
www.carolwoodin.com
A freelance artist for over 20 years, Carol creates vibrant botanical paintings on vellum. Her work is in public collections and in the private collections of Dr. Shirley Sherwood and Alisa and Isaac M. Sutton. Carol is represented by Susan Frei Nathan Fine Works on Paper, LLC.

    Slipper Orchids in Watercolor (on paper or vellum)
    GNSI Education Series Workshop at Reiman Gardens
    University of Iowa, Ames IA
    May 31 – June 3, 2013
    This four-day class includes a field trip and a lot of time in the classroom observing and painting potted native orchids. Cost: $510 GNSI Members, $545 nonmembers.

    Applications due May 15. Samples of artwork must accompany application. For more information and to register, visit GNSI’s website.


    Painting the Flowers of Summer, Watercolor on Vellum

    Chicago Botanic Garden, Chicago, IL
    July 26 – July 28, 2013
    9:30 AM – 4:30 PM
    This class includes a demonstration of stretching vellum. Participants will select subjects from the garden and learn how to take a preliminary sketch to an advanced painting on vellum. Cost: $449 nonmember; members receive 20% discount. View Details/Register


    Botanical Painting with Watercolor

    Berkshire Botanical Garden, Stockbridge, MA
    August 22 – 24, 2013
    10 AM – 4 PM
    Come to the beautiful Berkshires of Massachusetts to take a 3-day Master Class and learn botanical painting techniques. Anemones will be the focus of this class. Cost: $290 nonmembers, $260 members.
    View Details/Register

This information has been added to the Classes Near You section for Massachusetts and Illinois.

When reading about artists traveling on European expeditions, we learn that artists worked in watercolor. Marianne North worked in oil. Does North ever explain why she chose oil over watercolor or other color media?

Yes, she does – and the answer is really interesting in terms of getting a handle on North’s motivations for painting and her self-image as an artist. North took watercolor lessons as a young woman, but once she tried oil painting she found it to be “a vice like dram-drinking, almost impossible to leave off once it gets possession of one.” Besides enjoying the feel and effects of oil colors, it is important to note that North was not a botanical illustrator. If we examine North’s oil sketches within this tradition, the only conclusion that can be, and has too often been made, is that she was bad at her work. This isn’t helpful for reconstructing what it was she was doing. North’s project is more closely aligned with the kind of work being done by the Hudson River School painters in North America, who traveled throughout the United States, the Arctic, Jamaica, and South and Central America with the goal of painting the beauty, unity, and character of nature – and who did so in oils. For North, it wasn’t interesting to paint an uprooted, idealized type-specimen against a white background as per botanical illustration. Instead, she treated the plants and botanical landscapes she encountered as individuals and groups of individuals met with in distinctive settings, all of which she wanted to portray with the vibrancy and materiality of the original encounter, a task best done with oils.

Catch up with our conversation with Katie Zimmerman

DrawingFood9781452111315 Here is a new resource that takes a fun and lighthearted approach to drawing. This resource provides more than prompts to remind you to draw everyday. It is a guided sketchbook complete with drawing techniques, instructions about how to use different media and a guidebook with plenty of room for sketching.

Drawing Food: A Journal by illustrator Claudia Pearson is composed of two key sections. The first section is titled, How to Draw Food, and contains instruction about how to draw fruit and vegetables, how to draw meat and dairy products, how to draw treats from the bakery, and how to draw household kitchen items. In this section, Pearson discusses line drawing, shading, how to work with colored pencils, and how to work with color pastels. Her instructions are clear, simple and doable.

In Part Two of her book, Pearson establishes a two-page spread for each week of the year and provides fun prompts for sketching enthusiasts. She challenges readers with thought-provoking tasks such as drawing what they find at their local farmer’s market, drawing something seasonal that isn’t produce, and challenges them to describe other culinary subjects in a visual way.

If the word “draw” makes you nervous, this book will help you begin to see your world through the eyes of an illustrator. It isn’t focused narrowly on any one culinary topic and provides plenty of room for you to take the journal in any direction you want to take it.

Interested in beginning your own illustrated food journal and discovering how plants intersect with our lives?

Join ArtPlantae next week when it launches the Botany Craft Bar, a creative place to learn about plants, during the Spring Open House at Aurea Vista on
Friday, May 17 (5-9 PM). In June, the Botany Craft Bar will become a regular feature during Riverside ArtsWalk, a monthly celebration of the arts in downtown Riverside.

If you can’t make it to the open house next week, visit ArtPlantae’s Botany Craft Bar on the first Thursday of the month during ArtsWalk. The Botany Bar will be open from 6:00 – 8:30 PM at Aurea Vista.

This monthly gathering is a CRE8TIME event and is community, fun and education all rolled into one!

cre8time_ProudToSupport_image

In my review of Marianne North: A Very Intrepid Painter by Michelle Payne, I ramble though calculations as I think aloud as to how Marianne North could have completed 832 paintings in 14 years. What have you discovered about how she worked that would make such an impressive accomplishment possible?

It is impressive! Calculated out it’s something like one painting every six days for fourteen years! And when we consider that the majority of this work was done on-the-spot in distant locales, the achievement becomes even more impressive. There are a few factors that made North’s project as prodigious as it was: first, and a great lesson to all, was the possession of an extraordinary work ethic. North woke early and worked through all kinds of weather, sometimes for up to twelve hours a day. She also famously preferred plants to people, and was often able to carve extra time to work by excusing herself from the many social obligations central to colonial and ex-pat community life in the places she visited. In Sarawak, for example…

Read More

Here is the latest at Classes Near You > Ohio!


Deborah Kopka, DK Designs

www.dkdesigns.org
Botanical illustrator, Deborah Kopka is the principal artist at DK Designs. Deborah licenses her artwork, creates illustrations for publishers, and teaches botanical art classes through her design studio.

    Botanical Illustration: Drawing in Graphite
    Owens Community College
    Mondays, June 3, 10, 17, 24 and July 1,8
    6-9 PM
    In this introduction to botanical illustration, participants will learn about drawing techniques used by contemporary botanical artists. Plant specimens are provided for the first class meeting. A supply list will be sent to registered participants.
    Limit: 12
    Cost: $249
    Download Summer Catalog (PLAY, May-Aug 2013)


    Botanical Illustration: Painting in Watercolor

    Owens Community College
    Mondays, July 15, 22, 29 and August 5, 12, 19
    Learn painting techniques used by natural science illustrators and how to use watercolor with other media. Plant specimens are provided for the first class meeting. A supply list will be sent to registered participants. Limit: 12
    Cost: $249
    Download Summer Catalog (PLAY, May-Aug 2013)


    Botanical Drawing Camp for Grades 6-12

    Owens Community College
    Students will learn how to draw botanical subjects and develop a new appreciation for nature. Art supplies and specimens are provided.
    Cost: $149 per student

    This four-day class will be taught at two locations:

    Owens Findlay Campus
    July 15-18, 2013
    9 am – Noon

    Arrowhead Campus (Maumee)
    July 15-18, 2013
    9 am – Noon

    Download Summer Catalog (PLAY, May-Aug 2013)

Summer classes with artist Susan T. Fisher have been announced at Wellesley College Botanic Gardens in Wellesley, MA.

Here is the latest at Classes Near You > Massachusetts.


Friends of Wellesley College Botanic Gardens
Certificate Program in Botanical Art and Illustration

www.wellesley.edu/wcbgfriends
This program offers several weekly and two- or three-day classes on botanical art and scientific illustration with Sarah Roche and Jeanne Kunze and and visiting instructors. The courses offered through this program cover all aspects of botanical art. Here is a peek at the 2012-2013 schedule:

  • Graphite Fundamentals: Basic Drawing Skills
  • Learning Botany by Drawing
  • Leaves 101
  • Plant Painting for the Petrified
  • Photoshop Demystified
  • Extreme Lumps and Bumps
  • smART Business
  • Colored Pencil Fundamentals


Summer 2013 Classes

Don’t miss these summer classes with visiting artist, Susan T. Fisher!

    Turn on the Lights!
    Friday, July 26 – Sunday, July 28, 2013
    9:30 AM – 3:30 PM BAC 14 132
    Go beyond flat botanical drawings with Susan Fisher. Graphite exercises shift your work from blah to bright and show how values enhance any illustration. Create art to grab the viewer; express a three dimensional quality, and fully express the important characteristics of the plant. Make better choices at the beginning of a piece to avoid a big “fix” at the end. Using supplied colored pencils, discover unusual approaches to seeing color and eliminate poor color choices forever. All skill levels. Cost: WCBG Friends Members $350 / Non-Members $440


    Optimizing Colors in Botanical Paintings

    Tuesday, July 30 – Thursday, August 1, 2013
    9:30 AM – 3:30 PM BAC 14 114
    You understand how to mix color, now focus on a systematic method for manipulating color to create your vision. How do you optimize color mixtures in your botanical watercolors? Do you use washes or glazes? Do you mix colors on the paper or on the palette? When you need to make adjustments what do you adjust first – value, hue or chroma?

    Increase your ability to make good color choices for different painting situations in a series of fun exercises with Susan Fisher. Learn to anticipate drying shifts and how they affect your work. Recognize various lighting aspects and see how they encourage or derail color choices. Focus on the challenging qualities of plant/vegetable specimens to practice color-mixing possibilities. A selection of watercolor exercises will guide students in the skillful use of warm or cool; light or dark; vivid or neutral colors; and related darks in botanical paintings. Although minimal drawing is needed, some watercolor experience mixing colors is required. Cost: WCBG Friends Members $350 / Non-Members $440

    To register: email: wcbgfriends@wellesley.edu or call (781) 283-3094

Learn more about Wellesley’s certificate program.
View current schedule

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