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Lady Finger Bananas, watercolor. © 2018 Sally Jacobs, all rights reserved

Sunday’s at the
Farmers Market

tag Gallery
Los Angeles, CA
April 17 – May 12, 2018

Contemporary botanical artist, Sally Jacobs, continues her exploration of Los Angeles’ farmers market in Sundays at the Farmers Market.

A watercolor artist and foodie, Sally visits the farmers market weekly to select specimens that inspire creativity in both her studio and her kitchen.

Sally’s paintings have been on exhibit in juried shows in New York and San Francisco, and at museums in New York, Minneapolis, and Phoenix. She was an award-winner at the Brand 37 Works on Paper exhibition at the Brand Library and Art Gallery and is one of the artists featured in Today’s Botanical Artists, a book about botanical artists in North America.

Meet Sally at the opening reception on Saturday, April 21, 2018 (5-8 pm). Learn from Sally during her Artists’ Talk scheduled for Saturday, April 28 from 3-4 pm.

Interested in trying botanical art yourself? Sally will teach you How to Draw a Leaf on Saturday, May 5 from 1-3 pm. Contact Sally to reserve your place in class. Class size is limited.

Visit the tag Gallery at 5458 Wilshire Blvd, Los Angeles, CA. Gallery hours are Tuesday through Sunday, 11 am – 5 pm. (View Map)



Related

Read a review of Today’s Botanical Artists and learn from the artists featured in this book (begin here).

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Ann S. Hoffenberg, Paperbark Maple (2017), Acer griseum, Rutgers Gardens, New Brunswick, New Jersey. Watercolor on paper, 9 x 13 inches. © Ann S. Hoffenberg. Courtesy of the American Society of Botanical Artists and the New York Botanical Garden.



Save the date!

The third triennial exhibition by the New York Botanical Garden and the American Society of Botanical Artists is coming to Southern California.

Out of the Woods: Celebrating Trees in Public Gardens, will be at
The Huntington Library, Art Collections, and Botanical Gardens from May 19 through August 27, 2018. This exhibition will be on view in the Flora-Legium Gallery at the Brody Botanical Center.

This juried exhibition includes 43 artworks in watercolor, oil, graphite, colored pencil, and ink, depicting everything from seedpods to bark to an entire forest floor.

“Out of the Woods” highlights the role public gardens and arboreta play in engaging visitors with trees and their ecological and utilitarian roles. It also underscores the conservation, research, and scholarship occurring at these public institutions.
 
“By bringing these subjects to life through their work, this extraordinary group of botanical artists creates new pathways for communicating the beauty and value of plants to contemporary life,” said James Folsom, the Telleen/Jorgensen Director of the Botanical Gardens at The Huntington. “I can’t think of a more critical time than now to be hosting this show and talking about this topic.”

A catalog will accompany the exhibition. It will be available for purchase at the Huntington Store.

Drop-in family activities about botanical art will be offered in the Brody Botanical Center every Saturday and Sunday throughout the exhibition. Family activities will be led by members of the Botanical Artists’ Guild of Southern California (BAGSC) from noon to 4 p.m.

Also on view in the Brody Botanical Center will be Amazing Trees, a BAGSC adjunct exhibition featuring the work of local contemporary botanical artists.


About The Huntington

The Huntington Library, Art Collections, and Botanical Gardens is a collections-based research and educational institution serving scholars and the general public. It is located at 1151 Oxford Rd., San Marino, CA (map).



Related

This exhibition will travel to St. Charles, MO then Tucson, AZ and then to Chaska, MN after its stop at The Huntington. Learn more at Exhibitions to Visit.

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By The Philadelphia Society of Botanical Illustrators


The Philadelphia Society of Botanical Illustrators (PSBI) is presenting a unique fine art exhibit at the 2018 Philadelphia International Flower Show, March 3-11. This exhibit includes a gallery of botanical art and artists’ demonstrations. Botanical art combines science and artistic interpretation to create pleasing, accurate depictions of plants and flowers.

The theme this year is Wet Feet: Plants That Live in a Watery World. Plants that have “wet feet” live in or along places like bogs, lakes, rivers, streams, estuaries, swamps and marshes around the world. Look for the artist’s signage with their artwork that identifies the plant and its habitat, and why the artist chose it.

The PSBI artists have been demonstrating the techniques of botanical art at the Philadelphia Flower Show since 1998, one year after PSBI was formed. Their demonstrations are part of the PSBI mission to educate the public on the intricacies of botanical art. It is an art form that is a tradition particularly in the Philadelphia area: in the 18th Century John and William Bartram founded and illustrated North America’s first botanical garden.

The PSBI is the local non-profit professional organization for botanical art. It sponsors art classes for youth, and its members teach botanical art in multiple venues.

For more information, visit the PSBI website or contact Amy Stewart.

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© Pamela Burgess, all rights reserved
Mountain Aloe (Aloe marlothii), B&W photograph with digital color added, limited edition, museum-quality pigment print, 10 x 7.5 inches

the naturalist’s desk:
language + landscape

Los Angeles County Arboretum
& Botanic Garden
Arcadia, CA
January 27 – June 23, 2018

Pamela Burgess explores the concept and meaning of landscape through art and text in the naturalist’s desk: language + landscape, a one-person exhibition opening next weekend at the Los Angeles County Arboretum & Botanic Garden.

Installed throughout the Arboretum Library, the show features work in various media including drawings and poetry, sculpture and photography, selections from the Library’s collection of botanical books, and artwork based on specimens found in the Garden. Together, the library and the exhibition are presented as an oversized cabinet of curiosities adorned with books, drawings, and strange unidentified roots. A map and self-guided tour of the installation will be available for visitors.

Arboretum guests are encouraged to make repeat visits to this exhibition as additional works will be added throughout its six-month run. Meet Pamela and explore the recently renovated Arboretum Library during the opening reception on Saturday, January 27 (2:00-4:30 p.m). An Artist’s Talk will begin at 3:00 p.m.

The Los Angeles County Arboretum & Botanic Garden is located at 301 North Baldwin Avenue, Arcadia, CA 91007 (map).


About Pamela Burgess

Pamela Burgess is a contemporary Los Angeles artist whose work is motivated by a fascination with nature and its materials, and a reverence for craftsmanship.

Awards include a Durfee Foundation ARC grant and first Artist-in-Residence of Theodore Payne Foundation. Exhibitions include the Sturt Haaga Gallery at Descanso Gardens, Occidental College, Los Angeles County Arboretum and Botanic Garden, Avenue 50 Studio, and Rancho Santa Ana Botanic Garden.

Community environmental work includes board member of the Citizens Committee to Save Elysian Park (from 1997), board member of the Theodore Payne Foundation for Wild Flowers and Native Plants and chair of its Arts Council (2010-2016), member of the 2007 City of Los Angeles Elysian Park Master Plan Oversight Committee.

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No. 11, Rhubarb, Ruibarbo blanco, Cedros [Jatropha podagrica Hooker, Euphorbiaceae], watercolor on paper by Charles Dorat (?1806–ca.1870), 30 × 23.5 cm, HI Art accession no. 5683.11.

Dr. Charles Dorat and His Unrealized Central American Medicinal Flora
Hunt Institute for Botanical Documentation
Pittsburgh, PA
April 2 – June 29, 2018

Charles Dorat (?1806-ca.1870) was a European physician and naturalist who lived in El Salvador and traveled in Honduras between 1850 and 1870. Acquainted with Central American medical professionals, government officials and companies interested in material medica, it is thought Dorat was hired by companies because of his knowledge of mining and economic plants.

While in Central America, Dorat pursued interests in nature and art, and by 1860 had painted 150 watercolors of useful plants. These paintings were supposed to be published as a flora of Central America, but Dorat appears to have died around 1870.

Learn more about Dr. Charles Dorat at Dr. Charles Dorat and His Unrealized Central American Medicinal Flora.



About The Hunt Institute

The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora.

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From The Huntington Library, Art Collections, and Botanical Gardens

Antonio García Cubas (1832–1912), agricultural map in Atlas pintoresco é historico de los Estados Unidos Mexicanos, (Picturesque and historical atlas of the United States of Mexico), Mexico City: Debray Sucesores, 1885, chromolithograph, 24 13/16 × 30 11/16 in. The Newberry Library, Chicago, Ayer 655.59.G2. Copyright © The Huntington


Visual Voyages:
Images of Latin American Nature from Columbus to Darwin

Huntington Library, Art Collections, and Botanical Gardens
MaryLou and George Boone Gallery
San Marino, CA
September 16, 2017 – January 8, 2018


Visual Voyages
looks at how indigenous peoples, Europeans, Spanish Americans, and individuals of mixed-race descent depicted natural phenomena for a range of purposes and from a variety of perspectives: artistic, cultural, religious, commercial, medical, and scientific. The exhibition examines the period that falls roughly between Christopher Columbus’s first voyage in 1492 and Charles Darwin’s publication of On the Origin of Species in 1859, a work based largely on Darwin’s own voyage to the region in the 1830s.

“Information and materials circulated at an unprecedented rate as people transformed their relationship to the natural world and to each other,” said Daniela Bleichmar, associate professor of art history and history at the University of Southern California (USC) and co-curator of the exhibition. “Images served not only as artistic objects of great beauty but also as a means of experiencing, understanding and possessing the natural world. These depictions circulated widely and allowed viewers—then and now—to embark on their own ‘visual voyages’.”

Bleichmar, who was born in Argentina and raised in Mexico, is an expert on the history of science, art, and cultural contact in the early modern period. Her publications include the prize-winning book Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012).

An exhibition catalog will be available beginning September 2017. Published by Yale University Press in association with The Huntington, the 240-page book contains 153 color illustrations ($50.00).

Visual Voyages is an international loan exhibition that is part of the Getty’s Pacific Standard Time: LA/LA initiative, an exploration of Latin American and Latino art involving more than 70 arts institutions across southern California. Gallery text will be in Spanish and English.


About The Huntington

The Huntington Library, Art Collections, and Botanical Gardens is a collections-based research and educational institution serving scholars and the general public. More information about The Huntington can be found online at huntington.org.


Several programs and exhibitions will be occur in conjunction with this exhibition. Artists, naturalists, and educators may be especially interest in:

    Visual Voyages in the Gardens
    Sept 16, 2017–Jan 8, 2018
    Throughout the Botanical Gardens
    Visitors can enrich their experience of “Visual Voyages” by strolling the botanical gardens in search of the real-life specimens of plants they have seen depicted in the gallery. Keep your eyes peeled for two dozen “Visual Voyages” signs, pointing to cacao, pineapple, tobacco, and other plants indigenous to Latin America.


    In Pursuit of Flora: 18th-Century: Botanical Drawings from The Huntington’s Art Collections

    Oct. 28, 2017 – Feb. 19, 2018
    Huntington Art Gallery, Works on Paper Room
    European exploration of other lands during the so-called Age of Discovery revealed a vast new world of plant life that required description, cataloging, and recording. By the 18th century, the practice of botanical illustration had become an essential tool in the study of natural history. From lusciously detailed drawings of fruit and flowers by Georg Dionysius Ehret (1708–1770), a collaborator of Swedish botanist Carl Linnaeus, to depictions of more exotic examples by Matilda Conyers (1753–1803), “In Pursuit of Flora” reveals 18th-century European appreciation for the beauty of the natural world.


    Free Talk and Book Signing

    The Invention of Nature: Alexander von Humboldt’s New World
    Oct. 15 (Sunday) 2:30 p.m.
    Rothenberg Hall
    Join best-selling author Andrea Wulf for a talk about the life of explorer, scientist, and early environmentalist Alexander von Humboldt (1769–1859), the subject of her most recent book, The Invention of Nature. Her talk will focus on Humboldt’s explorations of Latin America. No reservations required.


    Wark Lecture (Free)

    Seeing and Knowing: Visions of Latin American Nature, ca.1492–1859
    Oct. 16 (Monday) 7:30 p.m.
    Rothenberg Hall
    Historian Daniela Bleichmar, co-curator of the exhibition, discusses the surprising and little-known story of the pivotal role that Latin America played in the pursuit of science and art during the first global era. A book signing and coffee reception will follow the talk. No reservations required.


    Free Lecture

    Cochineal in the History of Art and Global Trade
    Dec. 10 (Sunday) 2:30 p.m.
    Rothenberg Hall
    Alejandro de Ávila Blomberg of the Oaxaca Ethnobotanical Garden and Oaxaca Textile Museum will explore the historical and cultural significance of this natural crimson dye. Used from antiquity, cochineal became Mexico’s second-most valued export after silver during the Spanish colonial period. No reservations required.


View all programs and additional images here

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By The Hunt Institute for Botanical Documentation

Viburnum opulus, Guelder rose [Viburnum opulus Linnaeus, Caprifoliaceae], hand-colored micrograph on canvas by Rob Kesseler (1951–), 2008, reproduced by permission of the artist. This detail of a leaf shows the stellate hairs (110× magnification).

The Hunt Institute for Botanical Documentation presents “Worlds Within,” a
unique collaboration between the Hunt Institute (September 22 to December 15, 2017) and the Miller Gallery (September 23 to November 12, 2017). The two venues, at either end of the Carnegie Mellon University campus, are exhibiting botanical micrographs by British artist Rob Kesseler (1951-) alongside botanical wall charts from Carl Ignaz Leopold Kny’s (1841–1916) series “Botanische Wandtafeln” (Berlin, Paul Parey, 1874-1911).


Opening receptions

The opening receptions on Friday, September 22 are open to the public (5:00-7:00 p.m. at the Institute; 6:00-8:00 p.m. at the Miller Gallery). Rob Kesseler will be attending both receptions (5:00-6:00 p.m. at the Institute; 6:15-8:00 p.m. at the Miller Gallery).


Panel discussion

A panel discussion, “The artist in the lab, the scientist in the studio,” will be held on Thursday, September 28, 5:00-6:30 p.m. at the Frank-Ratchye STUDIO for Creative Inquiry, College of Fine Arts, Room CFA-111, Carnegie Mellon University. Rob Kesseler, “Worlds Within” artist, and Steve Tonsor, Director of Science and Research, Carnegie Museum of Natural History, and moderator Edith Doron, Mellon/ACLS Public Fellow, Senior Manager of Carnegie Nexus, Carnegie Museums of Pittsburgh will discuss the evolution of relationships between artists and scientists into research partnerships and will consider potential avenues for the intersections of these two disciplines in the future. This event is free and open to the public. For information, contact the STUDIO.

[Sclereids (support cells) in Fig. 1. Humulus lupulus Linnaeus, Cannabaceae; Fig. 2. Deutzia scabra Thunberg, Hydrangeaceae; Fig. 3. Nuphar lutea (Linnaeus) Smith, Nymphaeaceae], color lithograph by W. A. Meyn (fl.1874–1911), 81.5 × 66 cm, after an original by Carl Ignaz Leopold Kny (1841–1916) and C. Müller (fl.ca.1874–1911) for Kny, Botanische Wandtafeln (Berlin, Paul Parey, 1874–1911, pl. 7), HI Art accession no. 6699.007.


About the Hunt Institute for Botanical Documentation

The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora.



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