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Posts Tagged ‘visual thinking’

Let’s say your normal teaching assignment involves introducing adult audiences to plant morphology and botanical illustration. Then one day, you are invited to teach the same subjects to children under the age of five.

Easy enough, you think.

However when you start sifting through your notes, you realize you talk too much and that it has been a while since you’ve had a conversation with a three-year old. How do you transform an adult activity about botanical illustration and plant morphology into one suitable for children with a very short attention span?

Many books have been written about early childhood science education. Many children’s books have also been written about the botany of flowers, seeds, leaves, trees and plants.

But let’s say you need help NOW and are looking for one good resource to help you rework your usual lesson plan. Consider reading the paper The Early Years: First Explorations in Flower Anatomy by preschool science teacher and author, Peggy Ashbrook.

In her paper, Ashbrook (2008) provides detailed instruction about how to lead a flower morphology lesson that uses drawing as a learning tool.

Probably the biggest difference between interacting with children, compared with adults, is the extent to which you have to model behavior. Conducting a demonstration or a desk-side show-n-tell comes pretty easily to adults. But modeling is more deliberate and requires a bit of forethought. To do this successfully, Ashbrook (2008) recommends teachers talk about the specimens under observation when modeling how they want students to observe. She recommends teachers say things such as, “Look at the tiny petals on this flower. The stamen has a yellow dust on it called pollen. Do all flowers have pollen?” (Ashbrook, 2008). Modeling, of course, does not end here because teachers then need to act out each step of the activity. They need to draw the same flowers students draw, explain how sketches or “first tries” (Ashbrook, 2008) don’t ever look like the actual specimen, and so on.

Ashbrook’s plant morphology lesson relies heavily on drawing. She has students drawing up to 5 varieties of flowers, recording differences between flowers, and describing each flower’s color either visually or in a written statement. She also has students pulling flowers apart so they can view, draw and describe each flower’s innermost structures.

And just like in any botanical illustration class, students gather at the end to share their drawings with classmates. For this closing activity, Ashbrook (2008) groups drawings by flower type to make sure the class discussion focuses on flower diversity and not on the quality of her young artists’ drawings.

If you lead young children in botanical art-related activities, consider adding Peggy Ashbrook’s article to your reference library.


Literature Cited

Ashbrook, Peggy. 2008. The early years: first explorations in flower anatomy. Science and Children. 45(8): 18-20.

To obtain a copy of The Early Years: First Exploration in Flower Anatomy, search the stacks at your local college library or read this article online here. [accessed on Google Docs June 28, 2012]



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The past two weeks, we’ve looked at the critical role families play in reinforcing the value of the arts and at how the arts can be used to take advantage of how we learn and make meaning. This week, we take a look at tools and techniques demonstrated to improve observation skills and enhance learning.

Earlier this Spring we learned of the work by professor Joe Dirnberger and his colleagues when they wrote about reviving the use of naturalist journals in the classroom. In a follow-up paper, Dirnberger (2006) brings attention to the similar approach scientists and artists take when observing the world and suggests seven ways learners can be encouraged to keep a naturalist’s journal. Citing examples of how his students have benefited from documenting their experiences in the field and the lab, Dirnberger (2006) provides insight into how journals can be used effectively, how to encourage students to record and synthesize information, and how to grade student journals. Dirnberger’s recommendations can be viewed in Drawing on Nature.

In Journals of Discovery, Cathy Livingston cites the power of visual thinking. Livingston (2005) openly shares what she and her students have experienced about how students learn while recording observations and thoughts in a journal. Livingston’s students did more than just draw plants, animals and things. They drew what they read. Students visualized their vocabulary words to enhance their understanding of these new words. When reading Livingston (2005), you may also want to read about the six fundamentals of visual note taking to help you visualize the types of learning that could take place if pictures were used to describe words. Translating vocabulary words into pictures is extremely helpful, especially in disciplines drowning in terminology like botany. If you have a copy of Plant Identification Terminology by Harris & Harris (2001), just think about how much you rely on this extremely helpful book that pairs each botanical term with a descriptive illustration. It doesn’t get any better than this.

Are you bored with spiral-bound sketchbooks? Try scrolls!

Educator Jessica Levine will help you think beyond 9″ x 12″ pieces of paper in Scrolls as Science Journals. Levine (2004) explains how scrolls allow observers to record changes over time and how the format of the standard sketchbook can interfere with learning. She suggests topics lending themselves to documentation in a scrolling format and provides examples of a scroll created with photographic images and a scroll created with original drawings and written entries. Imagine if Maria Sibylla Merian recorded her observations about metamorphosis on scrolls. Would she have noticed patterns never before recorded?

Levine (2004) also provides examples of how she has used scrolls with students and includes instructions on how to make three types of scrolling journals. Her instructions can be adapted to use the papers, paints, pencils and other supplies favored by botanical illustrators and sketchbook artists.

How do you help learners see plants through drawing?
Do you have a favorite sketchbook?
A unique approach to journaling?

Share your experiences in the comment box below.



The articles by Dirnberger, Levine and Livingston are available at college libraries and available for purchase from the National Science Teachers Association (99¢).

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