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Posts Tagged ‘travel’

In my review of Marianne North: A Very Intrepid Painter by Michelle Payne, I ramble though calculations as I think aloud as to how Marianne North could have completed 832 paintings in 14 years. What have you discovered about how she worked that would make such an impressive accomplishment possible?

It is impressive! Calculated out it’s something like one painting every six days for fourteen years! And when we consider that the majority of this work was done on-the-spot in distant locales, the achievement becomes even more impressive. There are a few factors that made North’s project as prodigious as it was: first, and a great lesson to all, was the possession of an extraordinary work ethic. North woke early and worked through all kinds of weather, sometimes for up to twelve hours a day. She also famously preferred plants to people, and was often able to carve extra time to work by excusing herself from the many social obligations central to colonial and ex-pat community life in the places she visited. In Sarawak, for example…

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Telopea speciosissima, Waratah, 1837-1842; Miss Maund; Benjamin Maund, publisher; Maund’s The Botanist; handcoloured engraving on paper; Collection: Art Gallery of Ballarat; Purchased with funds from the Joe White Bequest, 2010

Capturing Flora: 300 Years of Australian Botanical Art
September 25 – December 2, 2012
Art Gallery of Ballarat

The much-anticipated exhibition featuring three hundred fifty drawings and prints celebrating Australia’s wildflowers opens tomorrow at the Art Gallery of Ballarat.

Visitors to the Art Gallery of Ballarat can attend free talks, attend workshops and take home one of many themed keepsakes created around this exhibition. Visitors will have their choice of a 280-page hardcover catalog, a 2013 calendar, a perpetual diary, note cards, coasters, magnets, mirrors and more!

Entertaining the idea of traveling to Australia to see this exhibition in person? If you are, you don’t have to spend too much time planning because the planning has been done for you. Take a look at these Ballarat in Bloom travel packages.

Special events are planned throughout the exhibition. A summary is provided below. Visit the exhibition’s Programs and Events page to learn more.

Free Talks

  • Art Insight, September 26
    Engraving, lithography, scientists and intellectuals
  • Let’s Talk Poetry, October 9
    Poetry, Australian landscapes and bush poetry
  • Art Insight, October 10
    The life and work of botanical illustrator, Margaret Flockton.
  • Art Insight, October 24
    The work of John Pastoriza-Piñol.


Concerts and Recitals

  • Musica Botanica, October 3
  • Artists Inspire Artistry, November 9 and November 13
  • VOX: Flower Songs, November 10


Workshops

  • The Microscopic realm with Lauren Black, September 28

The Art Gallery of Ballarat is open daily from 9 AM – 5 PM.
Admission $12, Concession $8, Child and Gallery Members Free
www.artgalleryofballarat.com.au



A Look at ‘Capturing Flora’, courtesy The Art Gallery of Ballarat

Pelargonium australe, East Coast form by Margaret Stones; watercolour & pencil on paper; Collection: Art Gallery of Ballarat; Purchased with funds from the Hilton White Bequest, 2011

Metrosideros lophanta, date?; Pierre Joseph Redouté; Gabriel, engraver; plate 56 from Henri Duhamel du Monceau’s Traite des arbres et arbustes que l’on cultivee en France en pleine terre [Trees and Shrubs that are grown in the ground in France]; handcoloured engraving on paper; Collection: Art Gallery of Ballarat; Purchased with funds from the Joe White Bequest, 2012

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Looking for adventure?

See what’s new at Classes Near You > Mexico!


Amelia Hoopes

Amelia is the Director of Cylburn Nature Science Camp in Baltimore and teaches botanical art at Cylburn Arboretum. Learn more about Amelia and view examples of her work in the ASBA Member Gallery.

    Botanical Art in Zirahuen
    June 20 – July 4, 2012

    Come to the shore of one of the cleanest lakes in Mexico to learn how to paint realistic watercolor illustrations of native wildflowers. Brush up on drawing skills and practice traditional watercolor techniques of graded wash, wet-in-wet and drybrush as you enjoy beautiful weather and the unique flora of Mexico’s central highlands. Swim in Lake Zirahuen, go zip-lining far above the lake, hike in the pine forests, bird-watch, sing around the campfire and partake in wholesome meals created from the organic produce of Michoacan, the “breadbasket of Mexico.” This one-of-a-kind adventure will be led by experienced botanical art instructor, master naturalist and science teacher Amalia Hoopes.

    Cost: $546, includes 2 meals/day; does not include lodging or transportation. For an additional fee, transportation can be arranged to and from the Ixtapa/Zihuatenejo airport on Tuesday or Wednesday, June 19th or 20th and on Wednesday or Thursday, July 4th or 5th. Transportation can also be arranged to and from the Morelia airport. Please contact Amalia Hoopes for lodging information. Options range from free camping to a resort hotel.

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Arts & Archives Tour
with Mervi Hjelmroos-Koski
of Denver Botanic Gardens

March 22 – April 3, 2012

This 12-day tour includes visits to the Shirley Sherwood Gallery of Botanical Art at Kew Gardens, viewings of work by Maria Sibylla Merian, William Bartram, Mark Catesby and others. Also included are a tour of the British Library’s medieval illuminations and herbals collection, plus visits to the studio of botanical artist Ann Swan, the home of William Morris, a 150-year old art store, a pharmacy museum, the headquarters of Faber Castell, and so much more! Click on the image to download the itinerary and to read the irresistible details.

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Click to download itinerary

Experience Italy in 2012!

Imagine yourself in Tuscany in Spring 2012, in a restored medieval village, drawing or painting the seasonal displays of flowers such as red poppies, azaleas, wisteria or the native blue iris. Or if you prefer, depicting the local fruit and vegetable offerings such as asparagus, strawberries, fennel or peas found in the market place.

Imagine also your artistic endeavors being guided by a renowned teacher in a stunning historical indoor/outdoor studio setting. Join Margaret Best, botanical artist and teacher, and an expert Italian-speaking cultural guide, on a memorable 8-night visit to Italy.

Outside the studio you will visit an organic kitchen garden and join the owner for a sumptuous gourmet meal. And there is more…you will be able to experience truly authentic Chianti region by mingling with the local residents and visiting a boutique wine estate to sip their vintages. You will also savor the culture of Rome and Siena.

Your Instructor
Margaret Best is an internationally recognized botanical artist and teacher offering tuition in graphite, color pencil and watercolor. She has taught workshops to all levels of experience from rank beginners, intermediates to advanced levels in Canada, UK, USA and Bermuda. These workshop venues include respected botanical gardens and institutions such as The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA; Santa Barbara Botanical Gardens; San Diego Natural History Museum; Filoli, San Francisco, CA; Dow Learning Center, Calgary Zoo Conservatory, Calgary; Bermuda Art Center, Hamilton, Bermuda.

Margaret’s watercolors have been exhibited globally in New York; Weisman Art Museum, Minneapolis; Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; Los Angeles, Denver, Bermuda, Toronto, and San Francisco. Her work is found in many private and corporate collections around the globe. Recently the Royal Canadian Mint released a wild rose coin designed by Margaret.

For the past six years, Margaret has painted regularly with her mentor Pandora Sellars who is widely regarded by experts as the leading contemporary botanical artist of our time. She has also completed master classes with Katie Lee, Lizzie Sanders and Anne Marie Evans.

A professionally qualified art teacher, Margaret is known for her nurturing style and her ability to readily identify student skill level in order to steer advancement. This is what her students have to say:

That was a wonderful, wonderful workshop. Margaret creates a level playing ground where everyone could learn regardless of their skills. Thank you for helping to get me launched and I look forward to another workshop.”

Diana Platt, Santa Barbara, USA

Not only does Margaret have her own amazing works of art and technical skill beyond anything I have ever experienced, she is also an inspiration. Her classes are always supportive, informative, challenging, and stimulating. Margaret holds nothing back and shares her skills and life experiences freely.  By the end of each class Margaret has successfully instilled the desire and provided the tools to create, not only art, but to become our best selves.  I aim to take as many classes from Margaret that I am able and would recommend to anybody that she offers an opportunity that should not be missed.

Nancy Berreth, Calgary,Canada



Painting Tour of Italy with Margaret Best

April 26 – May 4, 2012
Cost: Euro 3,190 (convert currency)

Please direct all travel questions to Quench Travel Design, Ltd., a Toronto-based travel design group.


You May Also Enjoy Reading…

Margaret Best Discusses Color in Botanical Art, Provides Tips for Informal Science Educators

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Details about Cynthia Padilla’s new trip to Guatemala can be found below and at Classes Near You > Texas and Classes Near You > Guatemala:


Cynthia Padilla, Dallas

http://fruitflowerinsect.blogspot.com
Cynthia Padilla teaches painting and drawing classes at prestigious universities, major museums, arboreta, art societies across the US, Canada, Central America and internationally. She curates exhibitions, serves as a juror of exhibitions, lectures and conducts demonstrations, and leads painting retreats worldwide. Cynthia is also the founder of the Botanical Art & Naturalist Illustration group on Yahoo!

    Botanical Arts/ Nature Sketching the Tropical Flora and Fauna of Guatemala with Cynthia Padilla – October 27 – November 5, 2011. Central America, Guatamala – Antiqua. Join popular instructor Cynthia Padilla for a week submerged in the beauty of the tropical flora and fauna of Guatemala. Spend unhurried time, working en plein air, lulled by the gentle breezes of “the land of eternal spring.” Days begin with an introduction to materials and demonstration of technique. Participants are welcome to document whatever catches their eye and imagination — ancient structures, tropical landscapes, colorful markets.

    Class will be based in lovely Antigua, a delightful bougainvillea-draped town with an international ambiance of internet cafes, art galleries, artisan crafts and warmhearted, welcoming people.

    Participants will also head into the highlands where volcanoes rise out of early morning mist and spend 3 days on Lake Atitlan.

    Begin a lifelong habit of journaling in nature and return home with a collection of sketches, tiny vignettes, notes & notations, measurements and musings, and works of art ready to frame. All media and all levels welcome.

    Registration/Information: Liza Fourré, Director, Art Workshops in Guatemala, call 612-825-0747 or contact Liza Fourré, Director.

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Mindy has traveled to Costa Rica every year for the past 25 years. In 1999, Mindy and photographer Nancy Richmond began leading art and photography tours to Costa Rica. They teach artists how to take research photographs to compliment their field sketches and create accurate color swatches in their sketchbooks. Photographers work on creating compositions that are pictorial essays of the rainforest. Workshop participants visit biological research stations, get a behind-the-scenes look at a sloth sanctuary and learn about on-going conservation efforts in Costa Rica.

The next painting and photography tour is February 1-10, 2012. A quick summary is posted below. This information has also been posted in the Classes Near You sections for Costa Rica and Florida.

Studio 16 Art & Photography Tour to Costa Rica

www.studio16online.com

  • Day 1: Arrive in San Jose. Check-in to Hotel Bougainvillea.
  • Day 2: Introductory exercises in the garden at the hotel. An afternoon visit to Zoo Ave to sketch and photograph birds.
  • Day 3: Visit to La Paz Waterfall Gardens
  • Day 4: Travel to the Sarapiqui region, visit Sibu Organic Chocolates, arrive at Selva Verde Lodge.
  • Day 5: Go on a bird walk, travel along the Sarapiqui River, draw, paint, and visit the Tirimbina Biological Reserve to learn about bats!
  • Day 6: Walk through the rainforest at La Selva Biological Station and learn how to collect reference material through drawing, painting and photography.
  • Day 7: Visit the Costa Flores Botanical Garden, draw, paint and learn about “plant portraiture.”
  • Day 8: Visit the Aviarios Del Caribe Sloth Rescue Center.
  • Day 9: Enjoy quiet moments at Selva Verde Lodge before returning to Hotel Bougainvillea in San Jose.
  • Day 10: Airport transfer, return home

Complete details and color photographs can be viewed here.

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Right now at Classes Near You > England:


Elaine Searle

www.paintbotanical.com
Elaine Searle is a botanical artist and instructor with many years of experience. She teaches at various locations in the UK, USA and Europe and each year runs a week-long botanical painting holiday open to all skill levels. For 2011 Elaine believes that she has discovered the perfect venue! A small family run hotel in a wonderful unspoilt national park setting in Umbria, Northern Italy. Non-painting partners are very welcome too.

    Coast! Get Started in Botanical/Natural History Painting
    4-6 Aug 2011; 10:00 AM – 3:30 PM. Blakeney Harbour Room, North Norfolk.
    North Norfolk is noted for its unspoilt coast. This new 3-day course will introduce the basic skills of observation, drawing and watercolour painting necessary to make studies of shoreline finds such as shells, feathers, plants and pebbles. In this studio-based class, we will work from flora and flotsam provided. Elaine Searle uses technique demonstrations and simple, practical exercises to encourage rapid progress, giving confidence to those with little or no previous experience. Small class size allows for plenty of individual attention and an atmosphere that is supportive and non-competitive with the focus on enjoyment together with personal achievement. The aim is that everyone should go home with a study sheet to be proud of, and the confidence to paint “finds” from their own beach or country rambles. Cost: Three-day nonresidential class £290 inclusive of 2 course lunches, refreshments, tuition, use of specimens, art materials, papers, and equipment. Full payment required with booking.

    Botanical Painting Holiday in Umbria
    – September, 3-10, 2011. Hotel ‘Il Collaccio, Precia, Italy. On this holiday you may paint as much, or as little as you wish. The itinerary comprises five days of tuition, with a free day to relax or explore the fascinating local area. Most mornings will be spent in the ground floor studio with Elaine offering individual guidance. A wide variety of local subject matter will be provided. In the afternoons you can choose to continue botanical painting or relax and explore. There is plenty for non-painting partners to see and do. For more information on the holiday, accommodations, excursions, and photos, click here. Registration is open booking via Il Collaccio at www.ilcollaccio.com.

    FEES
    £810 per painter (sharing)
    £535 per non-painter (sharing)
    £105 single room supplement

    WHAT’S INCLUDED
    7 nights en-suite accommodation, full board* (including half bottle of wine with evening meal). Botanical painting tuition by Elaine Searle.
    *Dinner on day of arrival, breakfast on day of departure, full board on all other days except for lunch on the free day.

    WHAT’S NOT INCLUDED
    Flights and airport transfers (collection by car can be arranged through the hotel), insurance, optional day excursions.

Download Elaine’s 2011 Course Brochure

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Ros Franklin Botanical Art

Ros Franklin studied botanical illustration at the Chelsea Physic Garden and received her Diploma after studying with the renowned Anne-Marie Evans. Most of Ros’s work is created for The Eden Project Florilegium and private commissions. Ros teaches botanical illustration to small groups in her studio and loves teaching beginners. Her beautifully equipped studio is located in a cottage in the tranquil countryside of Dorset, England. Students studying with Ros can forget the world and enjoy creating beautiful works of art. Accommodations at a local B&B are available. Here is Ros to tell us about her classes…

    Botanical Illustration / Botanical Painting -
    I run weekly classes throughout the year, together with occasional 3-day courses. Please contact me for up-to-date times. We start at 10.00 AM (arrival from 9:30 AM), and finish at 4:00 PM with an hour for lunch (bring your own lunch). All teas/coffees are provided. Lunch is included with the 3-day courses.

    My classes are small and friendly, with no competition between class members. Keeping the classes small (up to 8), I can give lots of individual attention. I offer a one-year structured course for the beginner and for those with little experience. We work through drawing techniques, tonal shading to create 3-D form before moving on to watercolour techniques, where we work through a 5-step method to create a 3-D effect with paint. For those with more experience, I encourage work on subjects of the student’s choice – where I can then offer individual guidance and help.

    Everyone in the class in encouraged to work at their own speed. With experienced class members who have been attending for a while, I occasionally suggest topics so we are constantly looking/observing and refreshing our skills.

    Weekly classes are £20 per session. I offer three terms a year, each with 10 or 12 classes per term. Three-day courses are currently £150.

    Please contact Ros Franklin for more information and to obtain a registration form.

An abbreviated listing for this learning opportunity can be viewed at Classes Near You > England.

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Now at Classes Near You > Italy:

Gretchen Kai Halpert
www.gretchenhalpert.com
Gretchen Halpert is a scientific illustrator and biologist with many years of experience creating illustrations for the medical field, for scientific research, and for commercial clients. Gretchen also teaches classes in the book arts and leads journaling classes.

    Nature and Travel Journaling in Tuscany
    Tenuta di Spannocchia, Siena, Italy
    June, 16-25, 2011
    In this workshop, participants will make a sketchbook and immerse themselves in plants, nature and travel. Beginning with an optional class about how to make their own sketchbook, participants will spend the week filling those books with drawings inspired by the Tuscan countryside, ancient architecture and cultivated gardens. Pen and ink, watercolor, composition, text, observation exercises, individual attention. All takes place on one of the first privately owned wildlife sanctuaries in Italy. Wildlife, trails, an abandoned castle and gardens offer plenty of material. This workshop is open to all skill levels.

    For more information on the course, accommodations, field trips, and photos, go to http://natureandtraveljournalingintuscany.blogspot.com. Course information is in August post. Registration is open, limited to 12 students.

    Contact: Gretchen Halpert for registration forms.

    Fee: $2250/pp/double; $2950/pp/single. Includes 9 nights lodging in 14th-century villa, most meals, wine, and field trips, daily classes and evening presentations. Afternoon wine on the terrace.

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New at Classes Near You > Texas and Classes Near You > Guatemala:


Cynthia Padilla, Dallas

http://fruitflowerinsect.blogspot.com
Cynthia Padilla teaches painting and drawing classes at prestigious universities, major museums, arboreta, art societies across the US, Canada, Central America and internationally. She curates exhibitions, serves as a juror of exhibitions, lectures and conducts demonstrations, and leads painting retreats worldwide.

    Botanical Arts/ Nature Sketching the Tropical Flora and Fauna of Guatemala with Cynthia Padilla – March 31 – April 9, 2011. Central America, Guatamala – Antiqua. Join popular instructor Cynthia Padilla for a week submerged in the beauty of the tropical flora and fauna of Guatemala. Spend unhurried time, workingmen en plein air, lulled by the gentle breezes of “the land of eternal spring.” Days begin with an introduction to materials and demonstration of technique. Participants are welcome to document whatever catches their eye and imagination….ancient structures, tropical landscapes, colorful markets.

    Class will be based in lovely Antigua, a delightful bougainvillea-draped town with an international ambiance of internet cafes, art galleries, artisan crafts and warmhearted, welcoming people.

    Participants will also head into the highlands where volcanoes rise out of early morning mist and spend 3 days on Lake Atitlan.

    Begin a lifelong habit of journaling in nature and return home with a collection of sketches, tiny vignettes, notes & notations, measurements and musings, and frameable works of art in breathtaking detail. All media and all levels welcome.

    Registration/Information: Liza Fourré, Director, Art Workshops in Guatemala, call 612-825-0747 or contact Liza Fourré, Director.

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© Jane LaFazio. All rights reserved

Jane LaFazio is a mixed-media artist, teacher, and author. Working primarily in paper and cloth, Jane teaches classes in the San Diego area, internationally at art retreats and leads sketchbook adventures to Italy. In 2010, she began teaching her sketchbook class online.

Her much-admired sketchbook work has been featured on the cover of Cloth, Paper, Scissors magazine and in An Illustrated Life: Drawing Inspiration from the Private Sketchbooks of Artists, Illustrators and Designers by Danny Gregory. Jane’s mixed-media art has been featured in Quilting Arts magazine and countless newspaper articles.

Meet Jane LaFazio!

ArtPlantae Today: How long have you been keeping a watercolor journal?

Jane LaFazio: I started a mixed media journal in 2005 and then a dedicated watercolor journal in 2006.


APT: You credit Danny Gregory for getting you started. What was the trigger that launched your journaling career?

JL: Yes, a friend told me about Danny’s blog and I started following it. Then I got his book Everyday Matters and began drawing in a sketchbook immediately. The following year, I had the fabulous opportunity to meet and sketch with Danny when he visited Los Angeles.


APT: In 2010, you began teaching your sketchbook class online at Joggles.com. How is this new format working out for you?

JL: Surprisingly well! I really wondered how my in-person teaching style would translate to online and I’m thrilled that it does! With the step-by-step lessons I wrote (loaded with photos) and the online forum that all the students can participate in, I think I really got the message across. And an added bonus was that the online students were just as supportive and friendly to each other as my in my in-person classes. It’s been great! I’m starting a new online class January 20, Sketching & Watercolor: Journal Style ON LOCATION. This will be another challenge for me! But the message I want to share is my love of sketching and painting on location, so I intend to get my students out in the public with their sketchbooks to coffee shops, museums, and parks.


APT: What are your preferred sketching materials? Why?

JL: I’ve worked in a Moleskine from the very beginning. I like the larger, watercolor version. It’s tidy outside appearance appeals to me somehow! And the books are great to travel with. I’ve got 14 finished ones, lined up on my bookshelf! However, lately I’ve been working with 5×7 inch individual sheets of hot press paper. (I love hot press, and use it for my larger work) I use the small sheets in my classes and now I’m beginning to use it regularly for my own pages. I’m also creating portfolios and boxes to keep the pages in. My watercolor paints are squeezed from the tube into a small travel palette. I use a superfine tip black permanent ink pen, any ol’ pencil, a kneadable eraser and a Niji Waterbrush. The products I use can be viewed on my blog here.


APT: Your journal pages exude a lot of spontaneous energy. Is your approach to journaling as spontaneous as it appears, or do you make a point of sitting quietly with your journal on a daily basis?

JL: Thanks! I make a point to try and work quickly. I sketch the basic shape in pencil first, then again looking just as closely at the object, I draw it in

© Jane LaFazio. All rights reserved

pen. The watercolor part goes fairly quickly. I don’t think a lot about composition of the page, when I’m doing it. It’s only later that I “finish” the page, adding an inked frame and text. My goal is to draw it, ink it, paint it, and scan it for my blog in an hour. Of course, sometimes I spend a longer amount of time on a page, but it just depends how much time I have to devote to it.

APT: How long have you been leading sketchbook adventures to Italy? How do you encourage travelers to become engaged with their surroundings?

JL: Ah! May 2010 was my first trip as teacher and it was fabulous! Thirteen wonderful students from all over the world. And frankly, it was easy to engage them. Once I taught them the basics of really looking, and how to get what you see down on paper, they were entranced with the beautiful details everywhere. Once a person draws in public, realizes how easy it is and how quickly the feeling of self-consciousness recedes, they love it. In Italy, my classes were usually in the morning, and most afternoons the students could be seen around Orvieto drawing and painting on their own (That is, when we weren’t at a cooking lesson or wine tasting together!). I’m leading another trip in May 2012 and I can’t wait!

APT: You teach an after-school program for children. Tell us about Mundo Lindo. How did you come to launch this wonderful program?
JL: In 2007 I applied for and received a grant to create a program “to teach my passion.” I love teaching art, and I love teaching to the 4th & 5th grade age group. So I created Mundo Lindo~Beautiful World, a FREE after-school art program. The kids spend 2 hours with me, and we make all kinds of art! We work in watercolor, papier mache, clay, paint, oil & chalk pastels. We’ve done kites, tie-dye t-shirts, treasure boxes, mosaic pots and puppets. The kids come back week after week and the program runs the whole school year. It’s in its 3rd year now and is one of the things I’m most proud of.

APT: Many years ago in a class taught by a well-known colored pencil artist, fellow students and I were told artists either see in shades of gray or in color. Do you agree with this assessment? What have been your observations as a teacher?

JL: Interesting. I KNOW I don’t see in shades of gray! Color is what attracts me to the subject, and then, I go straight to the contour drawing then the color creates the shading. That’s how I teach. I too, have taken from a well-known colored pencil artist, and she teaches students to start with the shading and gradually flesh out the details.

APT: The business aspect of art is a topic of interest to many artists. You market your artwork through classes, exhibitions, books, conferences, and online services such as Joggles.com, and Etsy. How many online services have you used to market your work? What types of things should artists look for as they research online venues through which to market their art?

JL: I’m lucky because my background is graphic design and marketing and I really enjoy it. I love my blog. I love Facebook, and always post my blog updates on Facebook. I used to snail mail postcards, now I use Constant Contact and send out a monthly email newsletter listing my classes, workshops, special exhibitions.

I’m thrilled when an artist asks me to contribute artwork to their books and nearly always say yes. I’ve written articles for magazines, my faves are Cloth, Paper, Scissors and Quilting Arts, and that helps get my name out too.

Artists should be aware of what’s out there in cyberspace, and then hone it down to what they enjoy doing, and where they get the most response. It’s impossible to keep up with all of it, so choose a few sources that work for you. Also, don’t try to tackle it all in one day! Do a little bit each time. For example, if you chose to start a blog, or improve the one you have (by adding Pages, for example). Do it gradually. No need to feel overwhelmed. Same with Etsy. Start by listing a few things, then gradually add more and begin to learn about the marketing aspect of selling online. And Facebook, well, it’s easy, and frankly lots of fun!

APT: Thank you, Jane, for sharing your art, outreach activities, and business sense with us. Will you take questions from readers this month?

JL: Sure! I’m always willing to help out other artists when I can. I’m fortunate to have a lot of artist friends, who often advise and suggest things to me, so I’m happy to spread the info.



Ask The Artist with Jane LaFazio

This month Jane is taking your questions about sketchbooks, journaling, her online classes and how she teaches others how to capture their world on paper. Feel free to ask about mixed media artwork or marketing too.


What would you like to know?

Please submit your questions to Jane by January 14, 2011. Jane’s replies to your questions will be posted on Monday, January 24, 2011. Send your questions to education@artplantae.com. Please write “Ask Jane” in subject line.

UPDATE: See Jane’s Q&A with readers here.

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