Feeds:
Posts
Comments

Posts Tagged ‘arts education’

© Meghan Garcia. All Rights Reserved

Botanize
Garcia.Dunn
Covington, LA
Opens April 21, 2012

A very different kind of gallery will open this weekend in Covington, Louisiana. Actually, it’s not a gallery but a “live art home store” whose focus is to provide opportunities to “view living space as art and art as a natural part of daily life”.

Artists Meghan Garcia and Sarah Dunn will open Garcia.Dunn, a multi-functional space where they will showcase their artwork and hand-made objects and host a variety of fine art and craft classes. Garcia.Dunn will also serve as the headquarters for their community outreach activities through which they will donate art supplies to a local art program. Well-established in their community and local art scene, Garcia and Dunn will begin collecting new and used art supplies at their new space this weekend.

The opening exhibition Botanize, will feature a collection of paintings by Garcia and Dunn, as well as handcrafted lighting, home furnishings, fabrics, and flora. Botanize is inspired by the scientific discoveries of botany in the 18th century, a time when observing and recording local flora was a popular pastime. The objects produced for the show reflect an “aesthetic homage for natural and hand crafted living-design with modern sensibility”.

© Sarah Dunn. All Rights Reserved

Sarah Dunn, owner/creator of Sarah Dunn Arts and the new organic fashion line, Sweet Olivier, has been successful in the art business since opening her first gallery in 2007. Meghan Garcia is a painter and an elementary art teacher in the public school system. She has been a leader in local arts organizations and other cultural non-profits since 2006.

For more information about Garcia.Dunn, its classes and community outreach program, visit www.garciadunn.com.

Read Full Post »

From Apples to Zucchini
The Horticultural Society
of New York
March 8-23, 2012

Recently three hundred K-6 students from Harlem and East Harlem in New York City used shopping totes and fabric paint to represent their relationship with fruit and vegetables. One hundred of these totes will be on display at the Gallery at The Hort during From Apples to Zucchini: The Fifth Annual Sprout Exhibition of NYC Children’s Art hosted by the Apple Seed program at the Horticultural Society of New York (HSNY). Through the Apple Seed program The Hort connects students with gardens and green markets to engage students in hands-on activities integrating science education and artistic expression across the school curriculum.

After the exhibition, students will take their totes home so their families can use them to buy fruit, vegetables and other groceries from local merchants.

An opening reception will be held this week on Thursday, March 8, from 4-6 PM.
Gallery hours are Monday through Friday, 12-6 PM.

The exhibition gallery is located at the HSNY office in Midtown Manhattan. Visitor information and directions can be viewed here.

Read Full Post »

A steward of the environment, especially California’s Sierra Nevada, John Muir Laws, has dedicated himself to revealing the natural world through art and science.

John (Jack) Laws has been an environmental educator for 30 years. He recently collaborated with the California Native Plant Society and with English instructor, Emily Breunig, to create a wonderful curriculum integrating art, science and the language arts.

I am thrilled to introduce John Muir Laws and Opening the World Through Nature Journaling, the Feature Curriculum for December.

John has kept a sketchbook since elementary school. Challenged by dyslexia, he found that keeping a journal was the easiest way to record his experiences. Drawing and sketching helped him see things he had never noticed before. John’s mom gave John his first sketchbook. One year during a family trip, John and his family met a woman who was keeping a wildflower sketchbook. John’s mom noticed how he followed this woman and her sketchbook throughout their trip. On the next family vacation, John’s mom gave him a sketchbook and colored pencils so he could document their vacation. Little did she know that years later, John would use sketchbooks as a teaching tool.

While working as a naturalist group leader at Walker Creek Ranch in northern California, John led activities designed to connect children to nature. He decided to incorporate journaling into his activities to help students slow down and focus in the same way his own journals helped him to slow down and become a better observer. He soon began to notice differences between his journaling audience and the groups of children who ran through the ranch without stopping to see what was really there. John began to expand upon his journaling exercises. The Marin County Outdoor School at Walker Creek Ranch became a great testing ground. It took about four years for John to develop his activities. He wrote up his observations, began sharing them with other naturalists and teachers, and over a period of 10-15 years, his activities were tested hundreds of times and refined. This collection of journaling exercises eventually became Opening the World Through Nature Journaling.

The response to Opening the World Through Nature Journaling has been “amazing”, according to John. He says “(the curriculum) has been well-adopted in California and across the country. Teachers get this is authentic student-driven education.”

While John was developing and testing journaling activities, he was also launching the program Following Muir’s Footsteps and working on his book, The Laws Field Guide to the Sierra Nevada (2007).

Following Muir’s Footsteps is a conservation project for schools in the Sierra Nevada region whose aim is to encourage local youth to become citizen stewards of the Sierra. Encompassing an eighteen-county area around the Sierra Nevada, Following Muir’s Footsteps connects youth to nature through firsthand experiences and journaling. Through this program, John provides in-service training for teachers about how to use field guides and how to use science journals in their classrooms. He also sponsors one mentor teacher from each school so they can attend the Sierra Nevada Teacher Institute, a summer program where teachers learn about the biodiversity of the Sierra Nevada. School libraries also benefit from this fantastic program. The library of each participating school receives 25 copies of The Laws Field Guide to the Sierra Nevada.

The idea to create his comprehensive field guide to the Sierra Nevada was hatched when John was in high school. One day, while hiking the John Muir Trail and juggling many field guides, he thought how wonderful it would be to have all of his field guides packaged into one portable book. By the time he finished high school, John says he could visualize the pages, the layout — everything. John’s grandmother encouraged him to begin working on his dream. At about this same time, he came across a poem by Mary Oliver called The Journey. The first line of this poem read:

One day, you finally knew what you had to do, and began.

So John quit his job and says he “filled my backpack with paper and granola.” He spent the next six years documenting the flora and fauna of the Sierra Nevada. In the early stages of this full-time project, he drew whatever he encountered. At the end, he went into the field with species lists. John says the last few species on his list were a particular challenge and that locating them was a true “scavenger hunt.”

How did John take on the expansive Sierra Nevada? He started at the lower elevations in the south and, as plants bloomed in the Spring, he followed the bloom hopping back and forth between the west side and the east side. Every 1-2 weeks, John hiked out to pick up fresh supplies, get more paper, bathe and shave.

In The Laws Field Guide to the Sierra Nevada, you will find descriptions of over 1700 species and 2,700 watercolor paintings. John drew each plant from life and each illustration was started and completed in the field. Illustrations of birds, insects and mammals began as quick gesture sketches in the field. They were then finished in the studio after a careful study of museum skins, reference materials, and the collections at the California Academy of Science.

When asked how it is he can make so many big things happen, John says none of his programs were launched as big complete packages. He explains, “It was an accumulation of a lot of little pieces coming together organically. This is what makes it possible to do something big.”



Ask The Artist with John Muir Laws

John received a Bachelor of Science in Conservation and Resource Studies at UC Berkeley and a Master of Science in Wildlife Biology at the University of Montana. He is also a graduate of the scientific illustration program founded at UC Santa Cruz, that is now taught at California State University Monterey Bay. In 2011, John received the TogetherGreen fellowship from Audubon/Toyota and this enabled him to deliver the Following Muir’s Footsteps program to 10 schools in the Sierra Nevada. This month, we have the extraordinary opportunity to discuss art, science and education with John.

To take advantage of this opportunity, post your questions or comments in the comment box below. John will respond to questions throughout the month of December.

Teachers, do you know of other teachers who might like to join in the conversation? Please send them the link to this article. The conversation will happen right here on this page.


Request a copy of Opening the World Through Nature Journaling

To request your own copy of the nature journal curriculum written by John Muir Laws and Emily Breunig in collaboration with the California Native Plant Society, click here.


Drawing Plants: Tutorials by John Muir Laws

John recently posted tutorials about how to draw plants on his website. These tutorials were created specifically for teachers. The demonstrations are easy for teachers to recreate in their own classrooms. Leaf and flower templates are available for download. View John’s instructional videos in the Nature Drawing section of his website.

The Laws Field Guide to the Sierra Nevada
is available at ArtPlantae Books for 25% off.

Read Full Post »

Intended to serve as an example about how to incorporate the arts into the classroom, Why Arts Integration Improves Long-Term Retention of Content written by Luke Rinne, Emma Gregory, Julia Yarmolinskyaya and Mariale Hardiman is an informative guide to research addressing how the arts can aid the retention of information. Citing studies from 1932 through 2010, Rinne et al. (2011) describe how the arts can be used as a methodology that can enhance learning in the classroom.

In their paper, Rinne et al. (2011) explain “long-term memory effects” and how the arts can be used to take advantage of these effects. What follows is a brief review of each effect.


    The Effect of the Repeated Rehearsal of Information on Retention

    It has been demonstrated that the “repeated rehearsal of information” has a positive effect on long-term retention (Rinne et al., 2011). Rehearse more, remember more. Well, almost. Some researchers think it isn’t how often one rehearses information that matters, but instead how information is elaborated upon or how it is linked to other information (Craik & Watkins, 1973), as cited in Linne et al., 2011). Rinne et al. (2011) make the case that activities from the arts can be integrated into classroom content and used as prompts to “elaborate rehearsal” thereby generating “sustained attention” and motivating students to learn.


    The Effect of Elaboration That Adds Meaning on Retention

    Help learners think deeply. Rinne et al. (2011) suggest teachers call upon students to write a story, a poem, a song or create a piece of art incorporating the information they want students to learn. Placing information in some sort of context requiring learners to process information at a deeper level aids memory because it establishes a more “elaborate memory trace” (Rinne et al., 2011).


    The Effect of Generating Original Information on Retention

    When learners are prompted to generate information in response to some sort of cue, they remember the generated information better than if they only read the same information (Rinne et al., 2011). There are many thoughts about why this is the case. Some think custom-generated information requires a deeper level of processing and more cognitive effort, while others think it is the uniqueness of the information generated that aids retention (Rinne et al., 2011). Whatever the reason, the authors suggest teachers encourage students to generate their own information — both verbal and visual — to aid their retention of new content.


    The Effect of Enactment on Retention

    Acting out is a good thing. Evidence suggests translating material into actions helps learners recall information. There are a couple ideas about why this might work. One has to do with motor encoding and the fact that acting out requires learners to use motor encoding and verbal encoding during physical movement (Rinne et al., 2011). The other idea cites the “unusualness” of the actions that makes information easier to remember (Rinne et al., 2011). The value of using the performing arts as a learning tool is proposed and Rinne et al. (2011) suggest teachers pair “novels, stories, or poems with (the) enactment of key segments” to enhance student learning about the literature or topics discussed in class.


    The Effect of Oral Presentation on Retention

    Talk to yourself. Speaking words aloud results in better retention than reading words in silence. This works because when reading aloud, the spoken words are made distinctly different from the words that are read in silence (Rinne et al. (2011). The authors recommend that arts activities requiring students to write songs or take part in some type of theatrical performance be used as learning tools to take advantage of this effect.


    The Effect of Effort on Retention

    When a certain amount of effort is required for a learner to make sense of new information, retention of this information is enhanced (Rinne et al., 2011). The interesting thing about this effect is that learners are not consciously aware of the fact that they will have achieved comprehension after exerting effort because all they tend to see is another learning goal before them (Rinne et al. (2011). To turn ho-hum learning goals into activities requiring some effort to comprehend, Rinne et al. (2011) suggest teachers turn to the arts and call upon students to find content embedded in some type of art form. The aim is to present learners with an art form “that requires interpretation or ‘decoding’ by the observer” Rinne et al. (2011). One of the examples Rinne et al. (2011) offer is the use of Andy Warhol’s Campbell’s Soup Cans to bring attention to commercialism in American culture. The thinking here is that effort spent on interpreting will lead to better retention. Some researchers, however, think it isn’t the amount of effort exerted, but the uniqueness of the effort. Are you beginning to see a trend? The distinctiveness of a thought or action appears to be central to the arguments made by some neuroscience researchers.


    The Effect of Emotional Arousal on Retention

    Emotionally charged content is easier to remember than content linked to events that leave emotions parked in neutral (Rinne et al., 2011). To take advantage of this, Rinne et al. (2011) recommend teachers replace “fill-in-the-blank” type of activities with activities from the arts promoting the “expression of emotional content.”


    The Effect of Pictures on Retention

    Information presented as pictures is retained better than the same information presented as words (Rinne et al., 2011), so the authors recommend teachers use images when images can be used to convey information that could just as well be presented as words. Using pictures as a learning tool will lead to better retention in older children and adults (Rinne et al. (2011)). However, this appears not to be the case with young children. The authors cite a study where researchers (Defeyter et al. (2009), as cited in Rinne et al., 2011) found that content retention is not achieved in children age 7 and younger. Defeyter et al. (as cited in Rinne et al., 2011) hold the opinion that image use does not result in content retention in young children because their “capacity for recollection” is still being developed.

Why Arts Integration Improves Long-Term Retention of Content is a concise practical reference and is recommended to educators who want to incorporate the arts into their curriculum and to parents, artists and advocates of the arts wishing to articulate the value of the arts to others.




THOUGHT FOR THE DAY
:

How can botanical artists take advantage of these effects
to encourage public interest in plants?



Literature Cited

    Craik, F.I.M. & M.J. Watkins. 1973. The role of rehearsal in short-term memory. Journal of Verbal Learning and Verbal Behavior. 12(6): 599-607.
    [buy online or visit local library]

    Defeyter, M.A., R. Russo and P.L. McPartlin. 2009. The picture superiority effect in recognition memory: A developmental study using the response signal procedure. Cognitive Development. 24(3): 265-273.
    [visit local library]

    Rinne, Luke and Emma Gregory, Julia Yarmolinskyay and Mariale Hardiman. 2011. Why arts integration improves long-term retention of content. Mind, Brain, and Education. 5(2): 89-96.
    [buy online or visit local library]

Read Full Post »

Families are in the best position to promote the arts to children.

This is the message delivered by Susan H. Magsamen in The Arts as Part of Our Everyday Lives: Making Visible the Value of the Arts in Learning for Families.

While schools, parents and the community need to work together to reinforce the value of arts education (Magsamen, 2011), Magsamen says parents are the most important part of this effort because a child’s first experience with the arts happens in the home. Magsamen (2011) states parents need help understanding the association between creativity and cognitive development and need help recognizing when normal everyday events can be turned into teachable moments in the arts. For example, she explains that parents would not necessarily view a child’s rap song about a broken heart and a lost love as a lesson in “communications, creativity (and) emotional development” (Magsamen, 2011). Nor would they consider a conversation about Fall colors as a lesson that “art is everywhere and it is through observation we see new things” (Magsamen, 2011). Citing several studies in neuroeducation, Magsamen (2011) provides insight into research about cognitive development and how students learn in the arts. When referring to “the arts”, Magsamen and other researchers are referring to the visual arts, music, architecture (design) and dance (Magsamen, 2011).

One of the research studies Magsamen (2011) cites is a study revealing that listening skills and concentration are enhanced when a person participates in “attention-focusing art forms.” This made me think about what would count as an attention-focusing art form the average person might find themselves doing. Then I thought, well doodling of course!


Doodling for efficiency

I searched the archives for a review of an article about doodling research posted long before this weekly column was launched. I would like to refer to this article again today.

Jackie Andrade of the School of Psychology at the University of Plymouth in the UK, wanted to know if doodling improves or hinders one’s attention to a primary task. To find out, she created a study in which 40 participants were asked to listen to a rambling telephone message about a planned birthday party. Participants were divided into two groups – a control group and a doodling group. The doodling group was placed into a “doodling condition” (Andrade, 2009) where they were given a pencil to shade squares and circles on a sheet of paper while listening to the phone message. The control group did not receive materials for doodling. All participants were asked to recall information about who would be attending the birthday party.

Andrade’s results show that doodlers recalled 29% more information than the participants in the control group. This study is the first test of the idea that doodling aids concentration. Andrade proposes that doodling may be enough of a stimulus to prevent boredom and reduce the likelihood of daydreaming.

To research these findings further, Andrade (2009) says more research is necessary to understand boredom, daydreaming, and the activities alleviating these conditions.


Continuing the conversation about art and learning

Magsamen (2011) states future discussions about learning and the arts is dependent upon neuroscience researchers and educators clarifying research results so that teachers and parents are no longer confused by conflicting reports. She adds what is also needed are examples of practical ways teachers, parents and the community can integrate the arts and learning in daily life. Examples of successful education and outreach projects can be viewed in Magsamen (2011). Magsamen’s article is available online for free, compliments of the journal Mind, Brain, and Education (see link below).



Literature Cited

Read Full Post »

Follow

Get every new post delivered to your Inbox.

Join 2,940 other followers

%d bloggers like this: