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Archive for the ‘general botany’ Category

I hope you are enjoying the conversation with Katie Zimmerman. I asked Katie if she was going to write a book based on her years of research.

She replied:

I’m in the final stages of writing up my dissertation, and all along I’ve been writing with the book in mind. There are a few books out there already, but they have all treated North as an anomaly in the “intrepid spinster” vein. I don’t want to downplay North’s extraordinary achievements and personality, but to really understand her work and its value beyond its eccentricity, we need a more complete narrative. North’s individualized vision and visualizations, however idiosyncratic, were…

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When viewing North’s paintings, are there any trends that can be observed? For example, did she paint plant “portraits” more often than landscapes? Did her style of painting change during 14 years of traveling? Etc.

I would say North’s motivations for traveling and painting changed more than her style ever did. Her choice of specimens, indeed her choice of destination, became much more pointed towards the end of her career and especially after Sir Joseph accepted North’s offer to build a gallery at Kew. Once North knew her work would be on permanent display…

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When reading about artists traveling on European expeditions, we learn that artists worked in watercolor. Marianne North worked in oil. Does North ever explain why she chose oil over watercolor or other color media?

Yes, she does – and the answer is really interesting in terms of getting a handle on North’s motivations for painting and her self-image as an artist. North took watercolor lessons as a young woman, but once she tried oil painting she found it to be “a vice like dram-drinking, almost impossible to leave off once it gets possession of one.” Besides enjoying the feel and effects of oil colors, it is important to note that North was not a botanical illustrator. If we examine North’s oil sketches within this tradition, the only conclusion that can be, and has too often been made, is that she was bad at her work. This isn’t helpful for reconstructing what it was she was doing. North’s project is more closely aligned with the kind of work being done by the Hudson River School painters in North America, who traveled throughout the United States, the Arctic, Jamaica, and South and Central America with the goal of painting the beauty, unity, and character of nature – and who did so in oils. For North, it wasn’t interesting to paint an uprooted, idealized type-specimen against a white background as per botanical illustration. Instead, she treated the plants and botanical landscapes she encountered as individuals and groups of individuals met with in distinctive settings, all of which she wanted to portray with the vibrancy and materiality of the original encounter, a task best done with oils.

Catch up with our conversation with Katie Zimmerman

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DrawingFood9781452111315 Here is a new resource that takes a fun and lighthearted approach to drawing. This resource provides more than prompts to remind you to draw everyday. It is a guided sketchbook complete with drawing techniques, instructions about how to use different media and a guidebook with plenty of room for sketching.

Drawing Food: A Journal by illustrator Claudia Pearson is composed of two key sections. The first section is titled, How to Draw Food, and contains instruction about how to draw fruit and vegetables, how to draw meat and dairy products, how to draw treats from the bakery, and how to draw household kitchen items. In this section, Pearson discusses line drawing, shading, how to work with colored pencils, and how to work with color pastels. Her instructions are clear, simple and doable.

In Part Two of her book, Pearson establishes a two-page spread for each week of the year and provides fun prompts for sketching enthusiasts. She challenges readers with thought-provoking tasks such as drawing what they find at their local farmer’s market, drawing something seasonal that isn’t produce, and challenges them to describe other culinary subjects in a visual way.

If the word “draw” makes you nervous, this book will help you begin to see your world through the eyes of an illustrator. It isn’t focused narrowly on any one culinary topic and provides plenty of room for you to take the journal in any direction you want to take it.

Interested in beginning your own illustrated food journal and discovering how plants intersect with our lives?

Join ArtPlantae next week when it launches the Botany Craft Bar, a creative place to learn about plants, during the Spring Open House at Aurea Vista on
Friday, May 17 (5-9 PM). In June, the Botany Craft Bar will become a regular feature during Riverside ArtsWalk, a monthly celebration of the arts in downtown Riverside.

If you can’t make it to the open house next week, visit ArtPlantae’s Botany Craft Bar on the first Thursday of the month during ArtsWalk. The Botany Bar will be open from 6:00 – 8:30 PM at Aurea Vista.

This monthly gathering is a CRE8TIME event and is community, fun and education all rolled into one!

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Here is the latest at Classes Near You > Ohio!


Deborah Kopka, DK Designs

www.dkdesigns.org
Botanical illustrator, Deborah Kopka is the principal artist at DK Designs. Deborah licenses her artwork, creates illustrations for publishers, and teaches botanical art classes through her design studio.

    Botanical Illustration: Drawing in Graphite
    Owens Community College
    Mondays, June 3, 10, 17, 24 and July 1,8
    6-9 PM
    In this introduction to botanical illustration, participants will learn about drawing techniques used by contemporary botanical artists. Plant specimens are provided for the first class meeting. A supply list will be sent to registered participants.
    Limit: 12
    Cost: $249
    Download Summer Catalog (PLAY, May-Aug 2013)


    Botanical Illustration: Painting in Watercolor

    Owens Community College
    Mondays, July 15, 22, 29 and August 5, 12, 19
    Learn painting techniques used by natural science illustrators and how to use watercolor with other media. Plant specimens are provided for the first class meeting. A supply list will be sent to registered participants. Limit: 12
    Cost: $249
    Download Summer Catalog (PLAY, May-Aug 2013)


    Botanical Drawing Camp for Grades 6-12

    Owens Community College
    Students will learn how to draw botanical subjects and develop a new appreciation for nature. Art supplies and specimens are provided.
    Cost: $149 per student

    This four-day class will be taught at two locations:

    Owens Findlay Campus
    July 15-18, 2013
    9 am – Noon

    Arrowhead Campus (Maumee)
    July 15-18, 2013
    9 am – Noon

    Download Summer Catalog (PLAY, May-Aug 2013)

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You have mentioned that the Marianne North Gallery mobilized botanical knowledge. Were there particular kinds of knowledge that North hoped to cultivate?

Yes, absolutely. There are several running themes in North’s work that are telling of the kinds of stories she wanted to capture and put on display. First among these was the sheer abundance and variety of botanical nature. North rarely painted the same thing twice, and opted instead to…

Join the conversation with featured guest, Katie Zimmerman

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Click to view poster.

Click to view poster.

Annual Wildflower & Art Festival
Idyllwild Nature Center
Idyllwild, CA
May 25-27, 2013
9 AM – 4 PM

Visit the Idyllwild Nature Center in the mountain community of Idyllwild this Memorial Day weekend to learn about local wildflowers and native plants. This fun-filled weekend also includes guided nature walks, an art exhibition, and activities for the entire family.

Weekend visitors to Idyllwild also have the opportunity to start a personalized guide to plants at ArtPlantae.
Learn more below!


Free Workshops with Purchase of Sketchbook at ArtPlantae

Create your own personalized guide to plants! Purchase a sketchbook at ArtPlantae during the Annual Wildflower Show and Art Festival at the Idyllwild Nature Center (May 25-27, 2013) and attend any of the sessions below for free during the Memorial Day weekend. Limit 10 people per session.
Cost: $9.95 per person

Participants may repeat a session if space is available. Priority goes to first-time attendees. Waiting lists will be established if necessary. Please register early. Sessions will begin promptly at their scheduled start times.


Let’s Explore Plants
Memorial Day Schedule

    Saturday, May 25
    9:30 – 10:30 – What makes a stem a stem?
    11:00 – 12:00 – What makes leaves, leaves?
    12:00 – 1:00 – Lunch Break
    1:00 – 2:00 – What makes flowers, flowers?
    2:30 – 3:30 – What makes fruit, fruit?


    Sunday, May 26

    9:30 – 10:30 – What makes fruit, fruit?
    11:00 – 12:00 – What makes a stem a stem?
    12:00 – 1:00 – Lunch Break
    1:00 – 2:00 – What makes leaves, leaves?
    2:30 – 3:30 – What makes flowers, flowers?


    Monday, May 27

    9:30 – 10:30 – What makes flowers, flowers?
    11:00 – 12:00 – What makes fruit, fruit?
    12:00 – 1:00 – Lunch Break
    1:00 – 2:00 – What makes a stem a stem?
    2:30 – 3:30 – What makes leaves, leaves?


Click here to reserve a seat!

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See what’s new at Classes Near You > Australia!

David Reynolds
http://botanicart.wix.com/davidreynolds#!
David is a botanical artist based in Melbourne, Australia who specializes in Australian native plants and exotic plants. David is creating short tutorials about botanical art techniques. Subscribe to Botanic Art TV to be notified when new videos become available.

    Botanical Art with David Reynolds
    Glasson Art World
    Dookie Campus Shepparton Victoria
    May 25-27, 2013

    During this three-day workshop, students will be guided through the techniques used to create a painting of a beautiful flowering Australian eucalypt with stunning bark, dramatic foliage and vibrant pink flowers. Take a look!

    All levels of artist are welcome
    Cost: $445 AUD

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Teach a person to see any one thing, just as it is, in form and color, and as it stands related to other objects around, and you accomplish much.

– Lewis P. Clover (1861)

As Marianne North painted habitat studies, plant portraits and botanical still life paintings while traveling the world, she had an educational objective in mind. Because she was alarmed at how little people knew about plants, North drew and painted plants so that others could learn about them.

Learning about nature and the world through the drawing process is the subject of a presentation Lewis P. Clover made to the State Teachers’ Institute in Quincy, Illinois in 1860. His presentation was reprinted in The Crayon in 1861 and it is this reprint we’ll take a look at today.

An advocate for “educating the eye” (Clover, 1861), Clover makes a case for drawing to become a core requirement in all schools. He makes his case in Drawing, as Connected with the Common and Higher Pursuits of Life.

Clover (1861) argues that there is not a pursuit in life that does not benefit from the act of drawing. He explains how botanists, geologists, machinists, physicians, carpenters, builders, architects, mechanics and even lawyers can benefit from knowing how to present information visually. He also argues that anyone can learn the principles of drawing, learn how to measure distances between objects, and learn to see (and appreciate) nature in a new way.

In his paper, Clover agrees with philosopher John Locke and states that drawing instruction in the school system should not be about creating master artists. It should instead be about equipping students with the skills to “represent tolerably on paper anything (one) sees.” (Locke, as quoted in Clover, 1861).

Clover argues that students need to be taught to see and to learn through drawing so they can have “awakened thoughts” (Clover, 1861) about the world and other things that would otherwise go unnoticed. Clover’s plea to teachers is best summarized in this statement:

Make drawing a branch of study in the schools, and you adopt the most successful mode of teaching pupils to discriminate.

– Lewis P. Clover (1861)

To get a copy of Clover (1861), search the stacks at your local college library.


Literature Cited

Clover, Lewis P. 1861. Drawing, as connected with the common and higher pursuits of life. The Crayon. 8(4): 73-77



More About Marianne North

This month we will learn more about Marianne North from featured scholar,
Katie Zimmerman. We’ll learn about North’s work and her contributions to botany. I hope you take advantage of the opportunity to learn from Katie directly and to ask her questions.

Join the conversation

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In 1871 Marianne North, a forty-year old woman from a wealthy Victorian family, embarked on an adventure to paint the plants of the world. Even by today’s standards, North’s travels are an amazing accomplishment. You might think Marianne North is a one-of-a-kind wonder, however she shares the title of brave pioneering female naturalist with women such as Maria Sibylla Merian (1647-1717) who was one of the first to describe metamorphosis, and Jeanne Baret (1740-1807) who was the first woman to circumnavigate the globe and the herb woman whose expertise as a field botanist made her an invaluable asset to botanist Philibert Commerson during the Bougainville expedition (1765-1768).

Through her paintings, Marianne North made several contributions to the field of botany. This month we have the unique opportunity to learn more about Marianne North from Katie Zimmerman, a PhD candidate at the University of Cambridge whose research is dedicated to the work of this fearless naturalist and artist.

Please welcome Katie Zimmerman, the Featured Scholar for May!



About Katie Zimmerman

Katie is a PhD candidate at the University of Cambridge and an instructor at the University of Washington where she teaches courses in the history of science. She is broadly interested in the relationship between art and science, the geography of knowledge, and Victorian natural history. Before taking up her dissertation on Marianne North, Katie taught high school and university courses in Warsaw, Poland, worked at the National Museum of American History in Washington, DC, and earned her MA in the history of science at Oregon State. Katie lives in Seattle, WA with her husband, two children, and a dog named Huxley – all of whom greatly admire and appreciate the botanical wonderland produced by that rainy state.

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Crop 2 Linda C Miller at York Hall Gallery Demonstration June 5 2011 Award-winning artist
Linda Miller will demonstrate how to create botanical portraits of garden treasures at The Gallery at York Hall in historic Yorktown, VA.

Watch Linda work and learn more about botanical art on Friday, May 3 and Saturday, May 4 from 10 AM – 4 PM.

This special event will be held in conjunction with Yorktown’s Hidden Treasures Garden Stroll in historic Yorktown Village. Visit some of Yorktown’s most beautiful private gardens and be inspired by the gardens and the two and three-dimensional art that will be on display. Plants will be available for purchase at Yorktown Baptist Church.

The garden tour costs $10 per person. Linda’s demonstration is free.
All are welcome!

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It’s Smithsonian Week in Riverside, CA and this week residents have the opportunity to learn from biologist David Wimpfheimer and scientific illustrator Alice Tangerini. The presentations below are being held in conjunction with the John Muir exhibition at the museum. All programs are free to the public.

Here is what’s coming to town this week:

    Treasures of Yosemite
    TODAY, April 24
    3-5 pm
    Learn about the origins of Yosemite National Park and current conservation efforts to preserve the park’s diverse plant and animal life.


    Botanical Illustration Demonstration

    Thursday, April 25, 2013
    3-5 pm
    Alice Tangerini is the scientific illustrator in the botany department at the Smithsonian National Museum of Natural History. Stop by the museum to meet with Alice and to learn how she creates illustrations for Smithsonian botanists.


    To Reach Perfection – The Challenge of Botanical Illustration

    Thursday, April 25, 2013
    7:00 – 8:30 pm
    During this evening presentation, Alice will discuss how her work as a scientific illustrator supports research about plant biodiversity and conservation.

Visit the Riverside Municipal Museum’s Smithsonian Week page for more information.



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