• Home
  • About
  • Classes Near You
  • Teaching & Learning
  • Resources at ArtPlantae
  • eBooks: Nature

ArtPlantae Today

Connecting artists, naturalists, and educators

Feeds:
Posts
Comments
« Rachel Hunt: Preserving the History of Botany
The Birmingham Society of Botanical Artists Answers Your Questions »

EcoLiteracy Curriculum Emphasizes Plant Restoration, Natural Dyes

October 21, 2011 by ArtPlantae Today

When teacher and textile artist, Rebecca Burgess was 19, she was asked to teach a textile arts class to children. Having received some training in art and education before entering the UC Davis Research Arts Center, she confidently lead group activities in the textile arts — activities that happened to require a lot of synthetic dyes. At this time, Rebecca knew nothing about natural dyes. She did, though, think it was unfortunate that an Art History major with a minor in Art Studio had not been told where paint or color came from. She took it upon herself to investigate where color came from and posed the occasional question to Jeeves of Ask Jeeves. She collected color recipes and learned how to make color using turmeric, berries, beets and cabbage. When she brought her new knowledge into the classroom, her students devoured all she taught them. They loved learning about natural dyes! She continued to explore color on her own and continued to fuel her students’ passion for nature’s palette.

Back then (as now), Rebecca felt that art is about “moving culture in a new direction” and felt that art missed the boat when it came to ecological awareness. She began vocalizing her concerns while she was an undergraduate student at UC Davis in the late 1990s. Unfortunately, the work she created within an ecological arts model was not well-received. She found herself pushing her professor’s buttons without intending to do so.

Today, Rebecca’s work and viewpoints about art and ecology are more appreciated. After graduating with a major in Art History, a major in Nature & Culture and minors in Art Studio and Design, she left the art world for a while and focused on earning her Masters in place-based education. During this time, she studied how human brains work and how they retain information. She also trained with an ethnobotanist and studied native plant restoration. When she realigned herself with the art world around 2005, she formed a bridge between the arts, education, and native plant restoration using her knowledge of these subjects. She began building restoration gardens at the school where she taught. Students learned the common names and Latin names of plants and witnessed the return of frogs, reptiles and birds to the restored habitat they created. All the while, students harvested art materials, natural dyes and natural inks. Rebecca’s curriculum took off.

The ecological literacy program Rebecca created provides many opportunities for children to experience plants in new and practical ways. Throughout the program, students document and reinforce what they have learned through drawing activities. Rebecca created her program by responding to what she thought was the “most instructive and holistic way” to introduce kids to plants. Rebecca explains:

With the curriculum, I aim for relevance, authenticity and honesty. Merging personal history and experience. Merging place-based history and experience. Merging the collective histories of students to create a single woven piece.

When asked what she feels people need to know about plants, Rebecca replies:

(People need to know) they are carbon. They can make food from sunlight and have a remarkable advantage over humans. They are constantly keeping the planet in balance. They manage the health of the planet through photosynthesis. They have a functional foundational place in our world and we need to appreciate their service.

When designing her curriculum, Rebecca created several activities and taught each of them over a three-year period. The eight lessons she includes in her free packet for educators, were chosen because they are the lessons that best embody the message Rebecca wants to deliver.

Second-grade teachers, textile artists and mothers have taught Rebecca’s lessons. While she knows of people as far away as Mississippi who have taught her curriculum, she receives the most feedback from teachers who have incorporated her lessons into their California classrooms.

Of the eight lessons Rebecca includes in her packet, seven can be adapted to any location. Only one lesson needs to be customized and tied-in directly with a school’s local ecology. To prepare for this lesson, Rebecca recommends teachers speak with professors at local colleges, botanists at a local herbarium, or ecologists familiar with an area’s ecological history. She also suggests teachers contact the native tribes in their region. Native tribes are often involved in restoring the traditional ecology of an area and are a rich source of information. The names of federally-recognized tribes in any region can be obtained online from the Bureau of Indian Affairs.

Today Rebecca no longer builds restoration gardens herself. She consults with schools and works closely with them on their projects. The Fibershed Project she launched with the publication of her book, Harvesting Color, demands a lot of her time. What began as a project to see if she could live off the natural resources within a 150-mile radius of her northern California home (this includes materials for clothing), has become a movement that will soon benefit the local economy of her area. The focus of the Fibershed Project has moved away from how to keep Rebecca clothed, to how to create a sustainable system that will give artisans and cottage industries access to local farmers for linen, cotton, hemp and more. The health of this system will be monitored by the Fibershed Marketplace, an online store that brings with it a no-nonsense analysis of what artisans, local industry and farmers can and cannot do using local resources. When it launches, the Fibershed Marketplace will launch with an assortment of raw materials. Items available for purchase will include yarn, raw fleece, knitting patterns created for Rebecca’s 1-year wardrobe, jewelry made from scraps of fabric created for Rebecca’s 1-year wardrobe, and small hand knit pieces. A percentage of each sale will go back into the Project’s fund to buy equipment for farmers and to improve the supply chain of goods for the online marketplace.

Finished garments will not be available at launch because fabric will not be ready. Currently the Fibershed Project, now a 501(c)(3), is working on issues related to the milling process that will utilize natural instead of synthetic dyes.

The Fibershed Marketplace will open on November 1, 2011.

To receive updates about the Fibershed Project and the grand opening of the Fibershed Marketplace, add your name to the Fibershed mailing list today.



Teaching Ecological Literacy

The curriculum Rebecca developed around native plants, habitat restoration, and plant dyes is available to educators for free. Download Teaching Ecological Literacy to Grades 1-5: Restoration Dye Gardens in the Restoration Education section on her website. If you use Rebecca’s curriculum, please let her know how you used it, how students responded, and tell her your thoughts about the experience. She would love to hear from you!

Rebecca’s new book, Harvesting Color complements the lessons in her curriculum.

Save 25%
ArtPlantae Books
$17.21 (reg. $22.95)

Share this:

  • More

Like this:

Like Loading...

Posted in Education, gardening, herbarium, natural science illustration | Tagged ecology, habitat restoration, native plants, plant dyes, postaweek2011, Rebecca Burgess |

  • Search Archives

  • Feature Scholar

    Katie Zimmerman has spent years researching Victorian naturalist and artist, Marianne North. She discusses her work this month and answers your questions.

    Join the conversation

    Photo:
    © Katie Zimmerman
    All rights reserved

  • What Readers Are Reading Now

    • 'Botanical Art Into the Third Millenium' Opens in Pisa, Italy
    • Create a Mixed-Media Sketchbook for Summer
    • Italian Catalog of Botanical Art
    • Draw Plants Outdoors, Hike & Have Fun This Summer
    • Classes Near You!
  • Recent Comments

    • ArtPlantae Today on Italian Catalog of Botanical Art
    • ArtPlantae Today on Italian Catalog of Botanical Art
    • Marilyn Garber on Italian Catalog of Botanical Art
    • ArtPlantae Today on ‘From the Mountains to the Sea’ Begins Year-long Tour
    • EAJanes on ‘From the Mountains to the Sea’ Begins Year-long Tour
  • How to Follow Us

    Click the "Follow" tab or
    Join ArtPlantae Mailing List

  • Up to 50% Off

    At Aurea Vista. Click for map.

  • Suggestion Box

    Questions for "Tips & Tools"
    Suggest a topic for discussion Click Here

  • Twitter Updates

    • Thank you for the RT @eyeforscience and @IndianBotanists. 5 hours ago
    • Want to see the exhibition catalog "Botanical Art Into the Third Millenium" come to the US? Take this quick survey. eepurl.com/zUKFn 10 hours ago
    • Italian Catalog of Botanical Art. Want to see it available in the US? wp.me/p5EAv-7Qh 10 hours ago
    • Draw Plants Outdoors, Hike & Have Fun This Summer wp.me/p5EAv-7PH 1 day ago
    • Botanical Drawing for Teens & Adults at Brenton Arboretum (@brentontrees) in #Iowa. wp.me/p5EAv-7PV 1 day ago
  • Ask The Artist

    Wendy Hollender (interview)
    Wendy Hollender
    Gilly Shaeffer (interview)
    Today's Botanical Artists
    Society of Botanical Artists
    Billy Showell (interview)
    Billy Showell
    Sarah Simblet (webinar)
    Robin Brickman (interview)
    Mark Granlund (office hours)
    Wendy Hollender (webinar)
    Diane Cardaci
    Katie Lee (webinar)
    Bruce L. Cunningham (webinar)
    Jane LaFazio (interview)
    Jane LaFazio
    Mally Francis (interview)
    Kandis Elliot
    Anne-Marie Evans
    Margaret Best
    Elaine Searle
    Mindy Lighthipe
    Niki Simpson
    Anna Knights
    Helen Allen
    Birmingham Society of
    Botanical Artists

    Hazel West-Sherring
    John Muir Laws
    Martin J. Allen
    Institute for Analytical Plant Illustration
    Mairi Gillies
    Georgius Everhardus Rumphius
    Liz Leech
    Valerie Littlewood
    Heeyoung Kim
    Linda Ann Vorobik
    Shawn Sheehy
    Gary Hoyle
    Mariella Baldwin
    Coral Guest
    Anita Walsmit Sachs
    Ruth Ava Lyons
  • Teaching & Learning

    Seeing with Graphite Eyes

    Students Overcome Their Fear of Drawing in Botany Lab

    Eradicating Plant Blindness in the 21st Century

    Using Social Media to Gather Feedback About Student Interest in Natural Resource Management

    How to Draw Plants for Documentation

    Investigating the Drawing Process

    Making Students Aware of Errors During the Drawing Process

    How do you grade a sketch?

    Helping Teachers Turn Observers Into Naturalists

    Empowering Children to Know What They Know Through Art

    Lesson Plans in Botanical Art & Plant Conservation

    Anne Marie Evans Discusses Teaching, Learning & Botanical Art

    The Timeless Value of Naturalist Journals

    An Interdisciplinary Approach to Learning the Power of Plants

    Margaret Best Discusses Color in Botanical Art, Provides Tips for Informal Science Educators

    Generating Interest in Boring Subjects

    Public Perception of Botanical Gardens

    Quality Observation is the Common Denominator in Art & Science

    Botanical Wall Charts in the Classroom

    Lesson Plans in Botanical Illustration

    Practical Drawing as a Thinking Tool

    Visualizing Plants with Botanical Symbols

    Does experience in the arts lead to academic achievement?

    The Value of Words Over Botanical Illustration

    Biologist Learns to Draw Plants, Sees with New Eyes

    Visualizing Life Cycles & Ecosystems

    Niki Simpson Introduces Digital Composite Botanical Illustrations to Botanical Art

    Imagery in Scientific Communication

    The Last Botany Student in the UK

    Humans First. Then Animals. Then Plants.

    The Origin of Botanical Field Guides

    User-friendly Identification Tools for Plants & Animals

    Students Take First Step Towards Creating Unique Florilegium

    Make Students Better Observers This School Year

    The Botanical Artist as Naturalist

    Remember That Plant You Saw?

    The Arts & Everyday Learning

    Why Integrating the Arts into the Classroom May Improve Content Retention

    Watercolors of the Herbs of Britain Provide Framework for Dichotomous Key

    Learning with Journals, Notes and Scrolls

    What makes plants interesting?

    Ecoliteracy Curriculum Emphasizes Plant Restoration, Natural Dyes

    Educational Wall Charts Teach Less, Better

    Plant Identification & Environmental Literacy

    Outdoor Education & Plant Blindness

    Scholars Study Images in the Service of Science

    Botany Program for Botanical Artists Launched in UK

    Olcani: When Plants Are Medicine

    Botany Education in the 18th Century

    Thoughtful Observation

    What do textbooks teach us about plants?

    Drawing Plant Life Cycles

    Painting Hawaii's Endangered Plants

    Researchers Study Renaissance Herbals to Preserve the Botanical Tradition of the Ancient Mediterranean

    Scientific Illustration in the Elementary School Classroom

    How Textbooks Contribute to Plant Blindness

    The Botanical Drawings & Discoveries of Joseph Hooker

    The History of Botany in the US

    Seeing Plants Equally

    How to Observe the Life Histories of Plants

    Bringing Plants to the People

    Measuring Attitudes Towards Plants

    Create Your Own Florilegium

    Georgius Everhardus Rumphius, Soldier & Naturalist

    Rumphius: A Naturalist for the People

    Inside 'The Ambonese Herbal'

    What Don't People Know About Plants

    Kitchen Counter Botany

    Plants, Pollinators & Art

    Guided Exploration of
    Nature's Palette

    Teaching About Plant-Pollinator Relationships

    Botanical Illustration & Plant Morphology for Preschoolers

    Nature Artists in the Classroom

    Science Communication Through Art

    How to Integrate Art Across the Curriculum

    Art, Botany & Society: Plants in the Limelight

    Using Writing to Encourage Drawing

    How can botany lessons be more exciting?

    Do Botany & Art Need Each Other?

    Mapping the Trees of
    Central Park

    Scientific Illustration in Kindergarten

    The Origins of Botany Education in the US

    Drawings Reveal How Teachers View the Environment

    Informal Botany Education Can Improve Plant Recognition Skills

    Using Dioramas to Teach Biology

    College Students' Knowledge of Plants

    Examples of How Biology & Art Influence Each Other

    No, Can't Don't

    Quick & Easy Lesson in Observation

    Illustrations & The Environment

    A Guide to Biological Illustration

    Classroom Project Integrates Plant Science and Art

    Engagement, Understanding, Communication

    Doodles, Learning & Attention Span

    Thinking on Paper

    How Children Respond to Nature

    Use Trading Cards to Teach Natural History

    Preschool Botany: Play, Explore, Draw

    Botanical Scavenger Hunt Develops Science Communication Skills

    How to Use a Pencil

    How can we experience plants differently?

    Keep Plants Simple

    Seeing Trees: In Print & Digitally

    GPS Technology & Botanical Art

    Does technology make the outdoors more appealing?

    Drawing & Learning in 1861

  • Exhibits To Visit

    Add your exhibition to this list!
    (send info, media image)

    John Muir and the Personal Experience of Nature
    Riverside Metropolitan Museum
    Riverside, CA
    Dec. 2, 2012 - Jan. 19, 2014


    Opening in 2013

    Windows on Evolution:
    An Artistic Celebration of Charles Darwin

    Virtual Exhibition (online)
    Science Art-Nature
    February 12, 2013

    Where They Grow Wild (at Rancho Santa Ana Botanic Garden)
    Rancho Santa Ana Botanic Garden
    Claremont, CA
    March 9 - June 9, 2013

    Extended to July
    Where They Were Wild: Recapturing California's Wildflower Heritage
    Huntington Library, Art Collections and Botanical Gardens
    San Marino, CA
    March 9 - July 8, 2013

    Jane Pinheiro Remixed: Reprints of Rare, Mid-Century Wood Blocks in the Theodore Payne Foundation Collection
    Theodore Payne Foundation for Wild Flower and Native Plants
    Sun Valley, CA
    March 15 - June 22, 2013

    What We Collect: Recent Art Acquisitions, 2007-2012
    Hunt Institute for Botanical Documentation
    Carnegie Mellon University
    Pittsburgh, PA
    March 22 - June 30, 2013

    The North American Experience: Early America Illustrated
    with Forms of Life Art Exhibition by the 5300 Group

    Lloyd Library and Museum
    March 25 - June 21, 2013

    Learning from Leaves
    Arnold Arboretum
    Harvard University
    Boston, MA
    April 6 - June 9, 2013

    The Nature of Jewelry: Botanical Design & Symbols
    Peninsula School of Art
    Fish Creek, WI
    April 19 - July 13, 2013

    Botanical Art in the Third Millenium
    Museo della Grafica
    Pisa, Italy
    April 20 - July 15, 2013

    Nature Unfurled
    Temple of Minera
    Hardwick Park
    Sedgefield, County Durham
    England
    April 24 - June 5, 2013

    Following in the Bartrams' Footsteps: Contemporary Botanical Artists Explore the
    Bartrams' Legacy

    Bartram's Garden
    Philadelphia, PA
    April 26 - May 24, 2013

    NEW
    From the Mountains
    to the Sea

    Duxbury Art Complex
    Duxbury, MA
    May 19 - September 8, 2013

    Society of Floral Painters 2013 Exhibition
    National Trust Property
    The Vyne
    Hampshire, England
    June 1-23, 2013

    From the Mountains
    to the Sea

    Montshire Museum of Science
    Norwich, CT
    September - November 2013

    Following in the Bartrams' Footsteps: Contemporary Botanical Artists Explore the
    Bartrams' Legacy

    South Florida Museum
    Philadelphia, PA
    September - December 2013

    When They Were Wild: Capturing California’s Wildflower Heritage
    The Huntington Library, Art Collections, and Botanical Gardens
    Expected 2013


    Opening in 2014

    From the Mountains
    to the Sea

    Bartlett Arboretum Gardens
    Stamford, CT
    January - March 2014

    Following in the Bartrams' Footsteps: Contemporary Botanical Artists Explore the
    Bartrams' Legacy

    Cherokee Garden Library/Atlanta History Center
    Atlanta, GA
    March 1 - May 31, 2014

    From the Mountains
    to the Sea

    Bedford Public Library
    Bedford, MA
    March - May 2014

    From the Mountains
    to the Sea

    Audubon Environmental Education Center
    Bristol, RI
    May - June 2014

    From the Mountains
    to the Sea

    Coastal Maine
    Botanical Gardens
    Boothbay, ME
    August - September 2014

    Add your exhibition to this list!
    (send info, media image)

  • Nature Near You

    Global Directory of Botanical Gardens
    Botanic Gardens Conservation International
    Search for a Garden

    National Park Service
    Search for national parks at the National Park Service website.www.nps.gov

    National Environmental Education Foundation's Nature Center Guide.
    Find Your Nature Center

    Rails-to-Trails
    Find a trail for hiking, walking, cycling or inline skating. The Rails-to-Trails Conservancy and its volunteers work to convert unused railroads into trails for healthful outdoor activities.
    Search their national TrailLink database to locate a trail near you.

    Sierra Club Trails
    Locate trails for hiking, cycling, climbing, and many other outdoor activities.
    Search Sierra Club Trails

    Disclosure

  • Contact Info:



    Mailing Address:
    ArtPlantae LLC
    5225 Canyon Crest Drive
    Ste 71-127
    Riverside, CA 92507
    Email: info@artplantae.com Phone: 951.776.4696

    ArtPlantae at Aurea Vista
    3498 University Avenue
    Riverside, CA 92501
    More Info
  • © 2007-2013 by ArtPlantae LLC. All rights reserved. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to ArtPlantae LLC and ArtPlantae Today with appropriate and specific direction to the original content. Artists retain the copyright to their work. The ArtPlantae® logo is a registered trademark of ArtPlantae LLC.
  • Nature Blog Network

Blog at WordPress.com.

Theme: MistyLook by WPThemes.


Follow

Get every new post delivered to your Inbox.

Join 2,936 other followers

Powered by WordPress.com
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.
%d bloggers like this: